The Project Gutenberg eBook of No royal road

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: No royal road

or, The thing that lies the nearest. A story for girls.

Author: Florence E. Burch

Release date: August 10, 2025 [eBook #76667]

Language: English

Original publication: London: The Sunday School Union, 1886

Other information and formats: www.gutenberg.org/ebooks/76667

*** START OF THE PROJECT GUTENBERG EBOOK NO ROYAL ROAD ***

Transcriber's note: Unusual and inconsistent spelling is as printed.

LILLA AND HER GRANDMOTHER.   Frontispiece.

NO ROYAL ROAD;

OR,

THE THING THAT LIES THE NEAREST.

A Story for Girls.

BY

FLORENCE E. BURCH

THIRTEENTH THOUSAND.

LONDON:

THE SUNDAY SCHOOL UNION

57 AND 59 LUDGATE HILL, E.C.

PRINTED BY

MORRISON AND GIBB LIMITED, EDINBURGH

CONTENTS.

—————

CHAP.

I. LILLA

II. MARGIE

III. LIVES OF GREAT WOMEN

IV. A GOOD BEGINNING

V. LILLA MAKES A NEW ACQUAINTANCE

VI. LILLA AWAKENS MARGIE'S AMBITION

VII. THE REWARD OF DILIGENCE

VIII. WASTED MINUTES

IX. WHICH WAS THE GREATEST?

X. A FRIEND IN NEED

XI. MARGIE THROWS NEW LIGHT ON THE QUESTION

XII. THE WAY, THE TRUTH, AND THE LIFE

ILLUSTRATIONS.

—————

LILLA AND HER GRANDMOTHER. (Frontispiece.)

"SHE LOOKED UP AS LILLA ENTERED."

MISS ST. IVES.

NO ROYAL ROAD.

CHAPTER I.

LILLA.

"Standing with reluctant feet,

Where the brook and river meet,

Womanhood and childhood fleet."

LONGFELLOW.

IN a shady nook, hidden away from the road by an overgrown hedge and a row of tall lime trees, stood a quaint-looking little cottage.

It was concealed from view as you came along the lane, for it had formerly been the lodge of a larger house, and in order to enter the swinging gate in the sweet-briar hedge which separated its little garden from the carriage drive, you had to pass through a broad iron gateway standing back in a deep bay in the plantation.

It was no longer required as a porter's lodge at the time of our story, the house having been long untenanted. And though the rooms were small and the thatched gables old-fashioned, it formed a very comfortable dwelling for the old lady who had now been its inmate for more than ten years.

It was a wonderfully pretty little house, too. It had a rustic porch, covered with jessamine and honeysuckle, and latticed windows that opened wide to admit the summer breezes. Upstairs were the snuggest bedrooms, with sloping ceiling and snowy curtained dormer windows, and handy cupboards to fill up spare corners.

Then, too, the garden, full of the old-fashioned flowers dear to those whose bright memories of far distant childhood are so closely wound up with them. Sweet peas and lupins, wallflowers—or warriors, as the children call them—stocks and clove pinks, and Aaron's rod and sweetwilliam—

"With his homely cottage smell."

And the roses! Not the trim heads of bloom on straight, stiff stems, which you see in gardens of the present day, but luxuriant bushes, rich with blossoms, that seemed grateful for the sunlight, so sweet was their perfume. All sorts were there: tea roses, cabbage roses—worthy of a prettier name—delicate buds in moss wrappings, and at every turn of the paths, arches laden with the snowy wreaths of the cluster.

At the bottom of the garden ran a brook, silent and peaceful in summer, when the overhanging fringe of foliage hid its pebbly bed from view; gurgling and rushing with wild vehemence in spring when the snows had melted, and the dark firs of the plantation beyond were rocking and swaying in the wind.

But enough of the place, that we may pass on to its inmates.

It would have been a dull spot for an old lady to spend her last days in alone. But Mrs. Eden had a companion.

Fourteen years ago, when her hair was still brown, her only daughter had faded and died, leaving to her care the dimpled baby girl who was just beginning to lisp her name. For three years the fond grandmother made her home with her son-in-law, devoting herself entirely to the little darling whose ways reminded her so much of the babyhood of her own child. But sickness laid its hand upon that home again.

There came a time when the little one asked, with wonder in her blue eyes, why father was always tired now. And, later on, why father never romped with her as he used; why he never got up, and why the doctor came so often. Until at last, one evening they did not even take her to him for her good-night kiss.

Next morning they showed him to her, cold and still in the long sleep of death, telling her that he had gone to be with Jesus in God's bright heaven, where everybody had a golden harp. And Lilla Claridge was an orphan.

Then it was that bereft of all, save that tender little life, which seemed to cling to her as the young ivy to the old tree trunk, the old lady came to live at The Lodge, where, by various little economics, such as substituting her own needlework for that of a seamstress, and doing her own housework, with occasional help, she could not only make her slender means sufficient for them both, but even add something yearly to the little capital which was accumulating at the bank in Lilla's name.

So the ten years had passed, bringing snowy locks and failing strength to the old lady, whilst for Lilla, each return of the season had some fresh gift of growth and intellect.

Lilla was turned fourteen, and a sensible girl for her years, quite a companion for any grown woman. Having been so much in the society of an old lady, she had perhaps learnt to think older thoughts than most young people of her age. She was amiable and gentle, too. For in training her, Mrs. Eden had not forgotten that some day she must mix with those who would not have a grandmother's indulgence. So, instead of spoiling her, as it would have been so easy to do, with no one close to lavish her tenderness upon, she had tried her best to lay the foundation of all those qualities most calculated to make of any girl—a happy, useful woman.

Lilla had grown up with no companion of her own age. Their economical style of housekeeping had rendered it impossible that she should mix with those really in her own station. And as Mrs. Eden had undertaken her education, intending to procure lessons in French and music for her so soon as she should be far enough advanced, she had formed no school friendships.

At the time when our story commences, Easter was just past, and the larches were hanging out their green tassels in pretty contrast against the sombre green of the firs. A keen wind was still blowing, and the distant hills looked dark and well defined in the clear air as the sun sank to his western couch. But leaf-buds were swelling on the hedges, and thrushes were piping merrily on the tree-tops. In the woods, primroses were peeping out from their hiding places under the dead leaves, and anemones were shaking their delicate bells by the watercourses. Spring was advancing rapidly, in spite of winter's attempts to keep his hold, and even an occasional snowfall could not long hinder the young monarch from ascending his rightful throne, so many upon all hands were his subjects.

Lilla and her grandmother had just returned from their afternoon's walk. They formed a strong contrast. The young girl, with her lithesome elastic figure, and the old lady, with her silver locks and feeble steps. But they always went out together when Lilla's tasks were done, and it was astonishing the long distances the old lady made round the country lanes beyond their little home.

Lilla's hands were full of anemones and trailing ivy, for she loved plants and flowers. Unlike many girls of her age who let the spring pass over them unheeded, its many voices had an undefinable charm for her. She could not have told you why she listened so eagerly for the first thrush's note, or watched the opening buds on tree and plant, but it was not simply that winter disagreeables were retreating before a milder reign. The reason was rooted in the poetic part of her nature which loved the life and beauty all around.

Here again you might trace her grandmother's teaching:

"God's world is so beautiful," she would say, "and Jesus loved the flowers. He has given them to us that we may learn from them. Every spring ought to remind us that we must open our hearts to the sunbeams of His love, if we would grow daily in beauty and fragrance."

Mrs. Eden was unusually tired with her walk that day.

"I am not so young as I was, Lilla," she said, with a sigh, as she took the door-key from her pocket.

"But you are wonderful, grandmother," returned Lilla fondly, as she followed her in. "I wonder how many old ladies of sixty-eight could walk the miles you do!"

The kitchen fire was out, for Mrs. Eden could not afford to keep two fires burning when the morning's work was done. But the kettle was singing contentedly on the trivet in the sitting-room.

Lilla saw at a glance that all was right, and in less than a minute she had fetched the tea-tray, so that her grandmother might make the tea at once.

Whilst it was brewing, she slipped out into the garden to plant a primrose root which she had brought in with her. This need not have occupied many minutes, but the stars were coming out, and Lilla could not resist watching them as their tiny orbs glittered and twinkled in the clear, pale sky. When she looked down to earth again, everything seemed so dark that it was some time before she could find a place for her primrose. By degrees, however, her eyes became accustomed to the change of light, and the plant was soon disposed of, its native soil snugly patted down round its roots.

"There!" exclaimed Lilla, as she raised herself up and turned to go in.

But somehow her eyes went back to the stars. She was surprised to see how much brighter they appeared to have grown during the few moments occupied by planting the flower. They no longer seemed struggling to make their feeble rays penetrate the twilight. They were shining down with a clear, steady light. And one after another added itself to their number as Lilla's eyes wandered over the heavens.

"It must be the contrast," she said to herself, resting on her spade, "for I have not been long. It is no darker than when I came out, and yet they were hardly visible then. But the sky is always brighter than the earth."

Lilla stood thinking for several minutes. But she suddenly remembered her grandmother and the tea, so she moved on towards the house. She had just put the spade in the tool shed when a noise of shouts and cries up the lane caught her ear, and, unable to repress her natural curiosity, she ran down the path, slipped through the gate, and went out into the road to see what it meant.

A pony was coming full tear that way, and two boys, one of whom had a rope bridle in his hand, were running after him at their utmost speed, at the same time doing their best by their halloos and yells to make him gallop the faster.

Lilla hurried back into the bay, and just got into shelter behind the gate as the pony dashed past. She was not used to animals, and was rather frightened of them.

But there is something exciting that few young people can resist in the sight of a runaway horse.

Lilla almost wished herself one of the pursuers, instead of a demure little maiden just about to wash her hands and sit down to tea with her grandmother.

However, it was of no use wishing. And certainly it would have been undesirable to change places with the two uncouth, mud-begrimed figures that hurried by next minute.

Lilla waited until the sound of hoofs was out of hearing, then hastened indoors, and ran upstairs to lay aside her outdoor things. In a few minutes she was seated opposite Mrs. Eden at the tea-table.

CHAPTER II.

MARGIE.

"The crown must be won for Heaven,

In the battlefield of life."

ADELAIDE PROCTER.

MEANWHILE, the fugitive and his pursuers were far away, and a desperate race they had. Until at last, the unwary animal, scenting a freshly cut stack of hay, turned in at the gate of a farm-yard, and being taken in the trap, was ridden back by the panting youths, both of whom mounted on his back—one clasping his arms round the waist of the other who held the bridle in his right hand, whilst with his left, he kept a firm grip of the animal's mane.

In this fashion they reached his master's dwelling, turned him in for the night, and trudged homewards.

They were evidently behind time, for their sister had been out more than once to look for them. She was standing in the doorway when they appeared, a strongly-built girl, with unusually sturdy arms for her age, and a look as if she was accustomed to work hard.

A glance round the room revealed the secret. Half a dozen little brothers and sisters, beside a lad older than herself, and the two boys who now pushed their way passed her and began clamouring for something to eat. No wonder she could not be spared to service, whilst her mother had so many "to do for."

"You don't deserve anything to eat, if you can't come in at the proper time," said the mother sharply. "Tea has been cleared away this long while."

"Jack ran away," said the elder of the two boys.

"And we had a job to catch him," added the other. "My word! What a run we had!"

"And what a pretty lot of dirt you've brought in," exclaimed the mother. "Go and pull your boots off."

But the boys knew their tea was safe, for their mother never kept them without food as a punishment.

Margie followed them into the outer kitchen.

"You 'are' in a mess," she exclaimed, as they kicked off the dirty boots. "Why can't you be more careful? You're up to your necks with mud. See what you've brought in for me to clear up."

"Well! Who's to help it?" said the biggest. "I say, Margie! Ain't there any tea for us?"

"Of course there is," replied Margery, getting down a loaf, from which she cut two thick slices. "And I saved you this bit off father's bacon. So now you must be good boys, and get me some wood first thing on Monday, for we've hardly got a bit. And this wind has brought down a lot."

When the boys came back, munching their last mouthful, they tumbled over two of the smaller children playing on the floor, and the latter set up such a dismal howl that it was all over with the peace of the family. After several vain attempts to restore quiet, Margery had to march them off to bed by two's, beginning at the youngest, whilst her mother remained downstairs patching some clothes for the eldest boy, who worked on a farm close by.

This was the way in which Margery's day usually ended. It always commenced by getting them up, and from early morn until they were safe asleep, she was slaving to keep them out of mischief. Poor child! Sometimes she got very tired, but she never seemed to regard it as anything to complain of. She had been accustomed ever since she could remember to do her utmost. And if she had more to get through every day, it was only because she was capable of more, so the balance still kept even.

There was only one thing she regretted, that she could not go to service. To get a good place and keep it, as one of her cousins was doing, earning money to buy her own clothes, and even laying by a little so that she might be able to help her parents in their old age. That was Margery's dream. But her mother wanted her at home, and that was quite sufficient reason why she should stay.

The best day of the week was Sunday, because after Margery had helped get breakfast and wash the children ready for Sunday school, there was not much else to do, except tidy herself and go to church.

It seemed such a rest to get away and walk through the sweet, quiet air to the little church on the hill side, where she could sit still in the high-backed pew and listen to the minister's voice and the solemn tones of the organ. There was something in the light from the coloured windows, with their quaint Bible pictures, and in the dim arches of the vaulted roof overhead, that made her forget how she had been working and hurrying all the week.

Her brothers called her a silly for going to sit still there all the morning, when she might have had a ramble in the fields with them.

And if she asked her father to go, he always replied, "Not to-day, Margie. I must rest my legs a bit, against to-morrow." Then he went and lounged about the garden and cleaned the pig-stye, or even did a bit of hoeing among his potatoes, but he never went to church except on Christmas Day and Easter Sunday.

It was a source of perplexity to Margery, what difference there could be between attending to the garden and walking to church. But if she was unable to explain why the former rested his legs more than the latter, she was just as unable to tell why the church had such a quieting effect upon "her," so she was content to let the matter rest.

As it happened, the day following that on which we made her acquaintance, was Sunday. A bright beautiful day it was, one of God's own Sabbaths, when all the earth seems full of joy and gratitude to its Maker. The wind, too, had lulled, so the trees were no longer buffeted and shaken, and their budding branches glittered against the blue sky, as the sun poured down upon them. Margery usually gave a little sigh of relief as she closed the door after her, but this morning everything was so bright that there was no room for a sigh. She only looked away across the fields to the green hills, over which came the sound of the bells already ringing for service, and exclaimed—"Oh if it were only 'always' Sunday!"

"What then, little maid?" asked a voice just behind her.

Margery started and turned quickly, and coloured to the roots of her hair, for it was the clergyman who had overheard her.

"What would you do with all Sundays?" he asked, as she looked down and did not reply.

"I was thinking there would be no work to do, sir," she answered.

"Ah! That is bad reason," returned the old gentleman. "None but lazy people want to escape their fair share of work."

"But I was thinking, sir, that if it was always Sunday, 'no one' would have any work to do."

"I do not fancy they would be any happier for that," said the clergyman. "It is God who gives us our work to do, you know; and He never sends us anything that is not good for us."

"But some people have to work so hard, sir," said Margery, "and then they get tired."

"Do 'you' often get very tired?"

The old gentleman looked down so kindly at her as he asked this question, that Margery could not feel afraid of him. She glanced up trustfully in his face and answered—

"Not very, sir; only—I like Sunday."

"And you can't quite tell why? Do you think you would like it so well if you hadn't been busy all the week? You know the Bible speaks of heaven as a beautiful land of rest, where we shall never grow weary. But Jesus said, 'I must work the works of Him that sent Me while it is day, for the night cometh when no man can work.' And death will be like a long winter night to those who have not used their daylight well. But to those who have never been 'weary in well-doing' it will be like this beautiful Sabbath day, a time to rest and worship God."

Margery did not answer. Probably she did not understand his words, for she had never troubled her head much about such things as yet. She was only just beginning to think about them a little. But just then the clergyman stopped to speak to a lady and gentleman who were coming along that way, so Margery went on alone.

It was very early when she arrived at the church, only the beadle and pew-opener were there. The children had not even come in from the school-room, so Margery sat down on the stone seat in the porch to wait and watch the faint shadows from the clouds moving across the fields beyond the graveyard. The wind had risen a little, and the fleecy white masses kept chasing each other sportively across the sun, until at last, one denser than the rest came, throwing a shadow which seemed as if it would never pass. But it was the last. Behind it the sky stretched clear and blue to the horizon, and as the landscape flashed into light again, a lark rose out of the grass carolling blithely as he soared, and mounting in ever-lessening circles, until he became a faint black speck of song.

"Oh! If I were only a lark," exclaimed Margery to herself. "It wouldn't matter about Sunday then." But this time she did not express her thoughts aloud, and there would have been no one to hear them if she had.

CHAPTER III.

LIVES OF GREAT WOMEN.

"Lives of great men all remind us

We may snake our lives sublime,

And, departing, leave behind us

Footprints in the sands of time."

LONGFELLOW.

THE next day seemed determined to show how disagreeable clouds can make the face of nature. The wind moaned in the plantation as if the trees were complaining that the sun had broken his promise, and the brook sobbed as though it had come down from the hills on purpose to tell some sad, sad story. There was no going out after dinner. So, after lingering near the window for some minutes, half in hopes that the clouds would break, Lilla curled herself up in a big armchair with a book, whilst Mrs. Eden took her work.

They were both very still, not a sound in the room, save the ticking of the timepiece, and the regular click of the old lady's needle.

Mrs. Eden was very busy with her thoughts as well as her sewing, and it was easy to guess what she was thinking about, for every time the shaking of the casement and the tap-tap of the rose-tree against it, made her look up, she glanced towards her granddaughter.

These fourteen years had passed very quickly, but Mrs. Eden felt that they had wrought a great change in herself, and she often wondered what Lilla would do when the last change came to still her voice and hands in the sleep of death.

Of one thing she felt sure. The Heavenly Father, in whom she had trusted all her life, and who had never failed her, would never forsake the dear child for whom she had prayed so unceasingly. But she longed for the assurance that Lilla had found for herself the One who would be her guide when her earthly teacher was no longer by to counsel her.

"She is a good girl," she often said to herself. "But the time is coming when she will have to think for herself, for I cannot be with her much longer. Pray God that when I am gone she may have an arm to lean upon which will never fail her!"

They had been sitting so for more than an hour, when Lilla with a deep sigh suddenly closed her book, got up, and, going to the window, looked out with a weary yawn.

Mrs. Eden glanced up from her work.

"Tired of your book, Lilla?" she asked.

"Not exactly, grandmother," Lilla replied, turning back towards the fire. "Tired of myself, I suppose, or of the rain. But I think you must be weary of sitting quiet."

"No," replied Mrs. Eden, "my thoughts have been as active as my needle, but I shall not be able to see much longer."

"Then let us have tea early, grandmother, and we can shut out this gloom and be cosy. Shall I stir the fire up?"

There was soon a cheerful blaze under the kettle, and Lilla sat down with some wool-work to wait until the first notes of its song should give the signal to fetch the tea-tray.

"I always wish something would happen on days like these," she said: "some adventure like you read of in books. A prince in disguise might come and beg our hospitality, or some travellers who had lost their way. But that is the worst of living in a civilised country—nothing romantic ever happens."

"Most things have a 'best' side as well as a 'worst,'" said her grandmother. "I think the disadvantages of uncivilised life would outweigh its advantages. But look! There is your traveller."

A wet umbrella was at the gate. Lilla jumped up.

"Oh! Grandmother," she exclaimed, "it is Mr. Munro! I wanted a prince, not a clergyman. Mr. Munro always puts me in a tremble."

"We must not keep him waiting in the rain," said Mrs. Eden, putting down her work and rising.

But Lilla sprang to the door.

"Let me go, grandmother!" she cried. "The wind blows in so cold. Besides, I am not so terrified of Mr. Munro that I dare not let him in. But I am disappointed, because now we shall not be able to have tea, and he will stay a long while and spoil our cosy evening."

With these words she left the room, and soon returned ushering in Mr. Munro.

"It is very good of you to come and see us on such a wet day." Mrs. Eden said, when she had seen the clergyman safely seated in the large easy-chair where Lilla had been reading.

"I usually find people at home on afternoons like this," replied Mr. Munro, "and, as for myself, I enjoy such good health that I never stay indoors for the weather. I often think that I have made my constitution what it is by accustoming myself to spend a certain part of each day in open air exercise. So you see duty brings its reward."

"Ay! That it does," said Mrs. Eden; "we never sow but God gives us our harvest. Lilla and I rarely take any notice of the weather, but to-day we thought it 'too' wet and windy, so we have worked and read until the daylight is almost gone, and we were about to shut out the rain and light up."

"And have an early cup of tea," added Mr. Munro, with a glance towards the kettle, which was now steaming out in good earnest. "Will you allow me to join you?"

Mrs. Eden expressed herself delighted, and Lilla went to fetch the tea-tray.

"I don't know a more cheery companion than the kettle," continued Mr. Munro. "I think the rich lose a great deal by banishing it from their sitting-rooms. I remember in the good old days at home my mother always had the water boiled, and the tea brewed under her own supervision. And no modern tea comes up to it, unless it is yours and my wife's."

In the meantime Lilla had cut some bread, which she now proceeded to toast, whilst her grandmother went to fetch some preserve from her store-closet.

"And how have you been occupying yourself?" Mr. Munro asked as he watched her kneeling before the fire, slowly turning the bread until it assumed a delicate brown.

"I have been reading some 'Lives of Great Women,' the best part of the time, Mr. Munro," replied Lilla. "But all of a sudden I got tired, so took up some wool-work and talked to grandmother."

"Which is nearly as good as a book, she is so wise and good," said Mr. Munro. "Do you soon get tired of reading?"

"Not usually, if the book is interesting," replied Lilla.

"And this wasn't?"

"Oh! Yes, but—I can't tell you exactly. It made me feel discontented."

"With yourself, or your surroundings?"

"I don't know. It made me want to be great too. And of course I never can, so I put it down and tried to forget it."

"I am not quite sure that was the best thing to do."

Lilla's eyes had been so intent upon her toast that she had answered all Mr. Munro's questions hitherto without looking up. But his last words puzzled her a little. Reading the lives of these heroines of womankind had made her feel discontented with the narrowness of her own life, spent in eating and drinking, walking and sleeping, learning tasks and doing fancy-work, and talking to her grandmother. And it was wrong to wish to be anything but what God had made her, so she had thrown the temptation aside with the book. Surely that was right! Lilla looked up involuntarily, as if to read his meaning in his face.

"There are two ways of wanting to be great," Mr. Munro went on, seeing her puzzled expression. "And it makes all the difference which one your book put into your head. You know God's estimate of greatness is very different from the world's. We very often think it consists in fine circumstances and plenty of money and servants, because we look on the outward appearance, but God looks on the heart. If your book made you long to be great, no matter what circumstances you were placed in, the more you read of it, the better."

"But what is the use of wishing?" said Lilla, looking up as she reached for another slice of bread. "There are some things I can do nicely enough. I can sew evenly, and grandmother says I make toast very well, but that will never make a great woman of me. How could I do as Florence Nightingale or Mrs. Fry did? I couldn't nurse soldiers all night. I should fall asleep just when I ought to give them their physic, and kill them by my neglect. Besides, I know nothing about medicine. And as for going about distributing tracts, I couldn't do that, much less write them. I'm neither brave nor clever enough, and I don't even learn half I might."

"That may be," said Mr. Munro, with a smile at Lilla's graphic picture, "and I know numbers of clever people who couldn't write tracts. But sometimes it takes more perseverance than bravery to make people great. Courage is for the battle-field, and industry and patience for the workshop. Did it ever strike you that there are more workshops than battle-fields in the world?"

Lilla did not answer. She had never thought about it. And now she did not quite see what workshops and battle-fields had to with great women. But her grandmother returned just then with some of her famous preserved cherries, and as the toast was ready, she rose from her knees and went to the table to butter it.

Tea-time passed very pleasantly, for in spite of what Lilla said about Mr. Munro always putting her in a tremble, he was far from being a terrible sort of old gentleman. He was as kind and full of interesting talk as it was possible to be. And the conversation happening to turn upon a tour which he had made some years before, in Egypt, Lilla forgot rain and terror and everything, until Mr. Munro took out his watch and said that it was time for him to be going.

"There was one thing struck me particularly," he said, as he rose. "Almost all trace of the existence of these old-world people consists in their provision for a future state. There are still remains of the costly tombs they made—covered with sculptures and pictures of the scenes amongst which they had lived—as though they wished to be surrounded after death by the familiar objects they had known from youth to old age. But of their lives and labours you see no trace. All vestiges of their everyday work seem to have perished with them."

"So much everyday work is too trivial to live," remarked Mrs. Eden.

"Yet Christ glorified it," returned Mr. Munro. "It seems to me that the strength of Christianity lies in the fact that it is by faithfulness in little things that we rise to true greatness. 'Do the work that lies the nearest' is the best motto for a Christian. And the nearer we get to Christ-likeness, the better we understand the reason why."

After tea, Lilla had her lessons to prepare for next day, so she forgot all about Mr. Munro. But the wind was very high when she went to bed, and for a long while she lay awake thinking.

"'Do the work that lies the nearest,'" she said to herself. "I suppose that is what I do every day, but I don't see that it makes me very great. I fancy I should be a good deal greater if I could do something else. I wonder how Mrs. Fry and Florence Nightingale managed to be so clever and good. There is one thing, I am only a little girl. But after all, they must have begun by being little girls—only I don't see how music lessons and French vocabulary and English grammar can make me great. I suppose they had to learn it though."

Just then a great gust of wind shook Lilla's casement so roughly that she involuntarily raised her head from the pillow. But her grandmother's regular breathing in the next room told her that she was already asleep. So Lilla snugged down again with a thought of the poor sailors and fishermen out at sea. She always prayed for them when the wind was high. As the gust lulled, however, her thoughts went back to Mr. Munro.

"I can't quite remember what he said about being faithful in little things," she said. "Something about true greatness. I 'should' like to be great. But after all, I suppose the best thing I can do is to learn my lessons as well as possible—'faithfully,' as Mr. Munro would say. I mean to begin to-morrow morning. I will get up half-an-hour earlier—and—"

Lilla was becoming drowsy, and, in a few minutes more, neither good resolutions nor the most boisterous gusts of wind could keep her awake any longer.

CHAPTER IV.

A GOOD BEGINNING.

"Life is real! Life is earnest!"

LONGFELLOW.

WHEN Lilla awoke next morning, all was calm and still. The wind had done its work and swept away the clouds, and with the dawn, it had hushed to rest. Lilla was beautifully warm and snug, and she lay for some time in a sort of dreamy doze, thinking of nothing and not even noticing how light it was. Her thoughts about greatness were still slumbering peacefully. But all on a sudden, something made her look up, and there, on the wall, was a broad strip of sunlight stealing through her blind.

Lilla raised her head on the pillow, and now for the first time became aware that the thrushes were singing blithely in the plantation. In an instant everything rushed back into her mind—yesterday's storm, Mrs. Fry and Florence Nightingale, Mr. Munro and her own resolutions. And throwing back the covering, she sprang out of bed. A peep at her grandmother's door, however, assured her that the latter was not yet astir. So gently closing her own, she went across to the window and drew aside the blind.

What a beautiful sight it was that met her eyes! Not a cloud in the sky, and the sun—still low in the east—shining like a golden eye of love upon the waking world, touching into gems the drops that still hung upon the boughs, and flashing a stream of light down the brook.

No wonder the thrushes had found such a happy hymn of praise! Who could help feeling glad with such a blue sky laughing down at the green fields, and such sunlight making ready to play hide-and-seek with the breezes among the boughs. Yet, as Lilla gazed, a sort of soberness came over her; for something reminded her that she had to learn to be great, not to swing idly in the tree-tops like those thrushes, who had nothing to think of but singing all day long.

Nothing to think of but singing! Lilla little understood them. Not one but had a nest to build before the month was out, and there was much to be done to scrape together material, but their hearts were in their work, and they simply went on doing it as it came, without a question as to what was beyond, or how dreadfully pushed they would be on the morrow, and that was at the bottom of their happiness. When men and women learn that secret, life itself becomes a psalm, and they have perpetual music and sunshine in their hearts. As regards the birds never attaining to any greatness—well, they are often God's messengers of hope to the weary and forlorn. And perhaps none of us can desire to be anything worthier.

However, Lilla dropped the corner of her blind and hurried on with her toilet, bent upon getting down to her lessons as quickly as possible. The consequence was that when Mrs. Eden came out of her room in her large apron and housemaid's gloves, ready to light the fire, Lilla was just opening her door to go downstairs, instead of lying fast asleep as usual, waiting to be called.

Mrs. Eden looked surprised, though she had fancied she heard Lilla stirring.

"You are up betimes, Lilla," she said.

"I have come to the conclusion that I waste a good deal of time in the morning," replied Lilla, sagely; "so I am going to begin getting up early. If you can get up, grandmother, I think I ought to."

"Young people often require plenty of sleep," replied Mrs. Eden. "If you are awake, it will do you good to get up. But I generally have some trouble in rousing you."

"But if I 'mean' to wake, I shall," said Lilla, "at least I 'think' I shall. I am going to begin being very industrious, grandmother."

"I don't consider idleness a fault of yours," said Mrs. Eden, as she threw open the shutters.

"Only I waste so many 'between whiles,'" said Lilla. "I mean to use up every 'minute' of my time, for the future."

Mrs. Eden passed on to the kitchen, and Lilla walked up to the book-case.

"Which shall it be?" she said to herself, leaning both elbows on it, and running her eyes along her row of lesson books. "Oh! French vocabulary, because I hate that most. And it is always best to do the disagreeable things first."

When Mrs. Eden came back with her wood and matches, she found Lilla curled up in the big armchair, absorbed in her task.

"Lessons before breakfast, Lilla?"

Lilla only looked up to smile and nod, and went on with her French, alternately reading over the column and covering it with her hand to see if she knew it. When it was about half perfect, her grandmother came in with the whisk-broom to sweep the carpet.

"I shall make you dusty, Lilla," she said, as she proceeded to lay a cover over the sofa and the sideboard where the old china was arranged.

"Then I must decamp, grandmother," said Lilla, uncurling herself and getting out of the chair. "I can go into the kitchen."

"You will find it cold. There is no fire."

"Oh! I'm too busy to be cold," returned Lilla, as she trotted off. "I've got all my lessons to learn before breakfast."

Mrs. Eden could not forbear a smile. "Too good to last," she said to herself, "and not desirable either. Exercise is best for young folks before breakfast, especially in March weather." Notwithstanding, she was pleased to see that Lilla began to understand the value of time, and no longer regarded her tasks as disagreeable duties.

Meanwhile Lilla had begun to find that her grandmother was right after all. She had felt so warm after hurriedly dressing in her sunny little room that she had no idea the morning was cold. As she sat by the kitchen window, however, plodding away at the unmanageable idioms, her fingers began to grow stiff, and cold shivers ran through her limbs. She put the book on the sill and rubbed her palms together, whispering the words over to herself all the time. But the chilly sensations still crept on, and she was quite glad when, just as the lesson was perfect, her grandmother reappeared with the whisk. She shut the book, jumped up, and gave her hands a good rub.

Mrs. Eden noticed it. "You will get chilblains, Lilla," she said.

"Oh! No, grandmother, I shall get accustomed to it," answered Lilla, cheerfully. "Besides, the warmer weather is coming, when I can take my books out on the door-step in the sun."

"I think you would do better to take your skipping-rope for half-an-hour instead," said Mrs. Eden.

"Then I should want to rise half-an-hour earlier still," said Lilla, "because skipping is child's play, and will never make me great."

"Is that your ambition?" asked her grandmother.

Lilla coloured, and made no answer. She had not intended to say anything about her high aspirations, for, like many people, she was shy of speaking about what she might never be able to accomplish.

"After all," continued Mrs. Eden, "neglecting your health will not help you to be great. Many people, who might otherwise have lived very useful lives, have rendered themselves all but useless by forgetting that, to work properly, machinery must be in thoroughly good order; my sewing machine has taught me so a good many times over."

Lilla was silent. This was a new aspect of the question.

As her grandmother got her duster, however, she picked up the book, saying: "I suppose I can come back now, grandmother."

Mrs. Eden replying in the affirmative, Lilla followed her to the sitting-room, replaced her book on the shelf, and, taking down another, seated herself on a low stool near the fire.

"You see, I am fast growing up now, grandmother," she said, as she found her place, "and I want to make the most of my time."

"You will not do that by devouring your capital," returned the old lady.

"I don't think I understand," said Lilla, with a puzzled expression.

Mrs. Eden proceeded to explain. "Your health and strength are the funds which youth has laid up for you. If you draw upon them, by and-by your health will break down, and there will be no capital left to produce interest, so you will be bankrupt. If you cram one week full of lessons, and at the same time catch a cold, you will have to lie up all the next week and lose more time than you gained."

Lilla was thoughtful for a moment or two, but suddenly she jumped up. "Does your back ache, grandmother?" she asked, for she observed that every time the old lady stooped she caught her breath, as if a sudden pain seized her. "You are not well this morning; let me dust for you."

"Then what about your lessons?"

"Oh! I'm not 'obliged' to do them before breakfast, grandmother, and dusting will be as good as skipping—only of more use."

So Mrs. Eden willingly resigned her duster and went on seeing about breakfast. For, truth to tell, she felt far from well that morning, and was glad of Lilla's help.

It may seem strange to those of my readers who are accustomed to take their share of the housework that Lilla should have been so selfish as never to have helped her grandmother before. But they must look at the question from another point of view, and admire Mrs. Eden for the unselfishness which had prompted her to undertake so much hard work without pressing Lilla into the service. Like many young girls, Lilla usually slept until she was called, except in summer, when she spent the time attending to her flower-garden, so the sitting-room was always swept and dusted by the time she came down. On the other hand, Mrs. Eden reasoned that had Lilla's father lived, she would never have had to do servant's work, and that it would not be right to bring her up to what was beneath her station, when she ought to be spending her time in gaining an education which would fit her to take her proper place in society. She therefore determined to do it herself as long as her strength permitted, and when that failed, to engage a young servant.

That time was approaching very rapidly. The old lady had already found the winter very trying. But she had persevered bravely, in hopes of being able to manage through another summer. But she felt that she had taken a decided step downward since the winter, and she was beginning to think seriously of securing a little more ease for herself.

"What would you say to having a servant, Lilla?" she asked as they sat at breakfast. "I am getting too old to work."

Lilla looked surprised for a moment. Then she replied: "I have been thinking it is too much for you, grandmother. I wonder I never thought of it before. Why couldn't I have helped you, instead of snoring my time away upstairs? I 'am' vexed with myself."

"I have made up my mind to engage a maid at once," continued Mrs. Eden, "instead of waiting till the autumn. I have managed without ever since your father died, and I think I may leave off trying to save now."

"Besides, you will be bankrupt if you devour your capital," said Lilla, mischievously, quoting her grandmother's words.

Something which happened during the day decided Mrs. Eden upon taking the step at once.

Lilla's work for the morning was done, and she was practising, whilst Mrs. Eden cleared up the dinner things, and eagerly looking forward to the afternoon's walk after the previous day's disappointment. She had just finished one piece, and was taking another from her portfolio, when her grandmother came in and sat down by the fire. Lilla closed the portfolio and got off the music-stool at once.

"Ready, grandmother?" she asked, without turning her head.

"I have not quite finished up," replied Mrs. Eden, "but I am afraid I must give up the walk to-day. I am so giddy. Reach me that phial, Lilla, and fetch me a glass of water."

Lilla did as she was desired, feeling rather frightened; and, having administered the dose, by her grandmother's directions, tucked her up on the sofa, and slipped out into the kitchen to finish clearing up.

When she returned, the old lady was dozing peacefully, so Lilla crept upstairs for her hat, to make the best of the afternoon in the garden.

The attack did not prove serious, and after a good sleep and some tea—which Lilla made for the first time in her life—Mrs. Eden was much better. She declared her intentions, however, as they went upstairs for the night, of hiring a servant without delay, and it was arranged that they should set about making inquiries the very next afternoon.

CHAPTER V.

LILLA MAKES A NEW ACQUAINTANCE.

"Lo here hath been dawning

Another blue day;

Think, wilt thou let it

Slip useless away?

Out of eternity

This new day is born,

Into eternity

At night will return."

THOMAS CARLYLE.

WHEN Lilla reached her room, the first words which came into her head were—

"'Do the thing that lies the nearest.'"

"I wonder if that is what I have been doing to-day," she said to herself. And, setting her candle down, she drew aside the blind to look at the stars.

They were wonderfully bright in the clear, keen air. But Lilla remarked that those constellations which had been on the horizon when she looked out some hours earlier were now high in the heavens, whilst others had crept up to take their places.

"They never appear to hurry," she said to herself, as her eyes wandered from one to another, "yet the morning never comes before they are ready. I suppose they are different from human beings. I haven't done a scrap more for hurrying up this morning. But it isn't my fault, because I helped grandmother dust, and then she was ill. And, after all, it was a good thing I learnt my vocabulary before breakfast, or I shouldn't have had time for it at all. I must make haste into bed, so as to wake early again. Perhaps I shall succeed better to-morrow."

And Lilla came away from the window, and was soon in bed and fast asleep.

When she awoke next morning, she knew by the position of the sunlight on the wall that it was even earlier than on the preceding day, but she jumped up immediately, and, without losing time over looking out of window, at once began to dress.

Her grandmother's door was still ajar when she opened hers; her heavy breathing told that she was still asleep.

"Now I shall have nice time," she said to herself. "Perhaps I can learn double vocabulary. I ought to be getting on now."

But something else came into her head at that moment, and she stopped short, half-way down the stairs. Then, turning back, she tip-toed into her grandmother's room, found her large apron and gloves, and crept out.

"Grandmother will be glad to find the kettle ready," she said to herself. "And it is a shame she should do everything now that I am old enough to help, especially as she is not well."

So Lilla noiselessly opened the shutters, and then, collecting her materials, set to work to kindle a fire—for the first time in her life.

Now fires are like most other things, very easy to manage if you know the right way, but Lilla having had no experience, did not go about her task in the very best method. The consequence was that, after poking and puzzling between the bars for a considerable length of time, and striking lucifers enough for a dozen fires, she succeeded in getting the coals to catch, just as a step in the doorway made her turn. There, to her dismay stood her grandmother.

"Oh! Grandmother," she exclaimed, in a disappointed tone of voice. "You 'are' early!"

Mrs. Eden smiled. "Not so early as you think, my dear," she said. "Time passes quickly when you are trying to do anything you are not used to. I am half-an-hour later than usual."

"And I meant to have had the water boiling by the time you came down," cried Lilla.

"Ah! You mustn't expect to do wonders all at once," said Mrs. Eden. "You have managed very well for a first attempt. But I suppose you would like to finish, as you have begun," she added, looking down at the hearth, which had yet to be cleared and brushed up.

Lilla went down on her knees again, feeling a certain sort of comfort in being permitted to retrieve her honour. And in course of time, the stove was tidy, and she had carried away her brushes and shovel. There was no chance for the vocabulary, however, for almost as soon as she had washed her hands, breakfast was ready, and she was glad to sit down, feeling an unusually good appetite.

Lilla was rather silent for the first few minutes, thinking how another morning had gone without the accomplishment of her resolve to devote it to her studies. Still, she could not help feeling that she had done her duty. And a word from her grandmother made her quite happy.

"Many hands make light work, Lilla," Mrs. Eden said, as she sipped her coffee. "You have been a very good girl this morning."

Lilla's eyes brightened. "I meant to do my lessons when I got up, grandmother," she said, "but this seemed to come between me and them, so I suppose it was 'the thing that lay the nearest.'"

"Well, if we are successful in our search after a maid," returned her grandmother, "neither of us will have to do it. Meanwhile, it is useful experience for you, for every woman—lady or not—ought to be 'able' to light her own fire and brush her own stove."

"I suppose a lady ought to be able to do anything that a servant can do, grandmother, or else she cannot really be the greatest."

After dinner Mrs. Eden and Lilla set out on their expedition in search of a maid. Fortunately, however, before they started, they heard from the baker's man of a girl who seemed likely to meet Mrs. Eden's requirements. She had never been to service before, the man said, being the eldest girl of a large family, most of whom were boys. But her mother was anxious now to place her out, as some of the others were growing old enough to be left in charge when she went out for a day's charing. Accordingly, Lilla and her grandmother started for the cottage, which was about a mile and a half up the lane.

It was a pretty walk. The way lay over undulating country: sometimes between fields, over which they could see far and wide to the horizon on either hand; sometimes through roadside plantations, where the trees met overhead in graceful arches, and the underwood, already bursting into leaf, showed like a pale green veil amongst the brown trunks. It was very beautiful, and Lilla did not miss it; for, as I have already said, she had a quick eye for the beauties of nature. But she was much more quiet than usual, and seemed pre-occupied.

Presently she said, "I don't altogether like the idea of having a servant, grandmother."

"Why not?" asked Mrs. Eden, in surprise. "I thought you would be pleased."

"It will be so horrid to have a stranger always in the house. We shall never be all to ourselves, as we have been."

"Oh! Yes," replied the old lady, "she will be in the kitchen, and we in the sitting-room. Besides, it really is getting too much for me."

"I know, grandmother, but if I helped you we could manage. I should soon learn to light the fire quickly, and you need never come down till breakfast was ready."

"I am afraid you would tire of it when the novelty wore off," said Mrs. Eden, "and I don't want you to waste your time over kitchen work. I am anxious you should make the most of it for your studies now, so that when you take your finishing lessons, you may be able to profit by them."

Lilla brightened at the mention of finishing lessons. The prospect of having masters seemed such a decided advance on the road to greatness.

"Besides," continued Mrs. Eden, "it is time you made some friends now."

"I don't want any friends, grandmother," said Lilla. "You are quite enough for me."

"Aye! 'Now,'" returned Mrs. Eden. "But I am fading away, and you will want some one to take my place."

"No one can ever do that, grandmother," cried Lilla, "because we two have been so happy together, and you are all the world to me."

Just then Lilla caught sight of the bushy tail of a squirrel whisking up a tree at a little distance, and off she bounded to watch it. So the conversation dropped, and another bend of the road brought them to the cottage.

Mrs. Rust looked pleased when the old lady stated her errand.

"It's what I've been wanting for her, ma'am," she said. "We're a large family to keep, you see. And I must try and make shift without her now, though she's been a power of help to me."

Mrs. Eden then proceeded to ask several questions concerning the girl's capabilities and disposition, all of which the mother answered in a very satisfactory manner. "But I'll call her, ma'am," she added, "and then you can see her for yourself." And she forthwith went out into the kitchen, where there was a sound of children's voices and some one at work.

After a few minutes she returned, followed by a sturdy girl, whose face bore traces of having been hastily washed, and in whom we recognise the same girl whose wish that it was 'always Sunday' Mr. Munro overheard on his way to church.

She glanced from Mrs. Eden to Lilla as she came in. Then, as her mother brought her forward with the words, "This is Margie, ma'am," she advanced and stood before the old lady, with her eyes demurely cast down.

"How old are you, my dear?" asked Mrs. Eden, anxious to hear her voice. For, of all qualities, she loved cheerfulness in anyone who was to be constantly about her. And she believed very firmly that disposition generally reveals itself in the tone of the voice.

"In her sixteenth year," replied the mother, before Margie could answer.

"I was fifteen last twelfth of January," added Margie, looking up for an instant. And then, stealing another glance across at Lilla, "I'm strong for my age."

"Are you afraid of work?"

"I've never been out, ma'am," replied Margie, looking up more confidently this time, "but I'm not afraid of it at home."

"And she has plenty of it, too," added the mother, anxious to make the most of the girl's capabilities.

Mrs. Eden had already made one discovery in Margie's favour: she possessed a nice honest pair of brown eyes, which seemed to attest their owner's truthfulness when they met yours. The old lady was beginning to take a fancy to her.

"Are you a good riser?" she asked.

"I couldn't quite say, ma'am," replied Margie, candidly, "because the children always wake me. But I could get up if I was called."

"And you would be willing to learn to do your work properly? Because I shall have a great deal to teach you, if you come to be my servant."

"I 'want' to learn, ma'am," answered Margie, quickly. "That's just what I've longed to do, ever since my cousin went to service."

Mrs. Eden then entered into detail with Margie's mother about her outfit and wages. So the former, seeing that she was no longer required to speak for herself, retreated to a little distance, and stood furtively glancing at Lilla.

Margie would have been rather surprised if she could have read the young lady's thoughts. For the fact was, the latter was quite as shy of Margie as Margie was of her. Margie was thinking how glossy Lilla's long, fair plait looked, and how prettily her large beaver hat shaded her face, and wondering whether she would be very proud as her young mistress, and despise her for her red cheeks and rough hair and her coarse hands. Lilla, on her part, was thinking how strange it would be for Margie to leave her mother and work for her living amongst strangers; she very much wanted to say something kind to her, but, somehow, she could not summon up courage.

At last she edged her chair a little nearer to where Margie stood. "Do you think you would like to come and live with us?" she asked, timidly.

Something in her face won Margie's heart at once.

"I'm sure I should, Miss," she answered; "because—" And then she stopped short and took up a corner of her apron, not exactly knowing how to express what she meant.

Lilla wanted to be kind, but she could not think what to say next, so she sat still for a few minutes. Then she glanced at Margie again, but Margie was watching her with such a comical expression, that Lilla's face puckered up into a smile. Whereupon Margie caught the infection, and both of them laughed outright.

At last Margie said, "We've got some rabbits, miss, if you'd like to see them."

So, at a nod from her grandmother, who had lost nothing of what passed between them, Lilla followed her new acquaintance through the kitchen into the garden, where half a dozen little brothers and sisters, on perceiving a stranger, first of all huddled up towards the remotest corner, and then gradually returned, one by one, and stood at a little distance watching Margie exhibit the inmates of the rabbit-hutch.

"I shall like you to come and live with us," said Lilla, presently.

"Shall you?" returned Margie. "Why?"

"Because I believe we shall be good friends," replied Lilla. "Though I daresay, we shall be a little afraid of each other at first."

"I shouldn't think 'you'd' be afraid of 'me,'" said Margie, bluntly; "because you're a young lady."

"But we're both girls," replied Lilla, simply.

CHAPTER VI.

LILLA AWAKENS MARGIE'S AMBITION.

"Poor and uncared for,

Toiling not learning,

What can I do

That will earn me renown?

Living and loving,

No useful work spurning,

Faithful to death

Thou shalt win thee a crown."—ANON.

MRS. EDEN had arranged with Margie's mother that the former should come on the first day of the next week.

"That will give you time to get her things ready," she said.

But there were grave difficulties in the shape of Margie's outfit. Mrs. Rust was poor, and with such a large family to provide for she could not afford the necessary outlay all at once. She promised to do her best, however, and there the matter rested.

But on the way home, Mrs. Eden proposed a plan which Lilla caught at eagerly. This was, that the very next morning they should go into the village and buy enough print to make Margie a dress.

"If I stitch the seams up in my machine, we can soon finish it between us," Mrs. Eden said. "And it will make her look tidy at once, besides being an inducement to her to be a good girl."

Lilla lay awake a good while that night thinking about the change which was to take place in their household arrangements, and in consequence did not rouse next morning until her grandmother called her. By making extraordinary haste, she was down in time to help dust and set breakfast. But there was no chance for her French vocabulary, and almost immediately after breakfast they started for the linendraper's.

Some lessons could be learnt whilst the print was being cut out, but Lilla's thoughts were so much distracted that she had hard work to concentrate them on her book. And when she went to bed that night, she could not help questioning whether the manner in which the day had been spent had tended much towards the attainment of her ambition.

"But Margie wants the dress," she said to herself. "After all, Dorcas made clothes for poor people, and I couldn't help sleeping late."

And then "the thing that lies the nearest" came into her head again, and she said, half aloud:

"It certainly was 'the nearest,' though how I am ever to grow great at this rate, I can't see. Oh! Dear—" And Lilla extinguished her light and soon forgot all about it in sleep.

But when Sunday night came round, matters were no better. A whole week had passed since the forming of her resolution, and no progress seemed to have been made. To be sure, Margie's dress was completed, and Lilla had tried it on and laughed to see how loosely it fitted her. For Mrs. Eden had made ample allowance for the maid's sturdier build. But that was nothing towards being great, and fewer lessons than ever had been done.

"I confess I can't understand it," she said to herself, as she laid her head upon the pillow. "I don't believe I can have found the right road, or I should get along faster. But when our servant comes, I shall have nothing to do but study, and I am to have masters soon."

Monday evening brought Margie, with a bundle of clothes and a small box containing her Sunday hat, and some caps and white aprons to wait in.

It was curious to watch the awkward advances the two girls made to each other; Margie afraid of presuming upon her young mistress's good nature, and Lilla shy from the bare fact that Margie was a stranger. By degrees, however, this strangeness wore off. And at the end of the first week, they were on very good terms. Mrs. Eden, on her side, expressed great satisfaction with her new maid's activity and teachableness, and things seemed going on very smoothly.

Lilla found now that she had time for her books before breakfast, and as April brought mild weather, she was often up and at work for an hour, as well as having time to attend to her flower-garden. To her great delight, her grandmother appeared very pleased with the rapid progress she was making, and began to talk seriously of procuring further instruction for her next term.

"For you will really be beyond me soon, Lilla, if you go on at this rate," she said.

One great source of wonder to Lilla was the strength of Margie's arms. She would often watch her as she rubbed and swept and scrubbed and carried with untiring energy, and then, looking down at her own slender white arms, feel almost ashamed to remember how quickly they used to tire when she "played" at being servant.

At last one Saturday morning she could be silent no longer. Margie had been giving the grate an extra clean, and still was on her knees before it, brushing away with all her might to put on the final polish.

She looked up as Lilla entered, and paused for a moment to shake back her hair, which was curly and apt to get rather untidy when she was at work.

SHE LOOKED UP AS LILLA ENTERED.

"Isn't that very hard work, Margie?" Lilla asked.

"Not very," answered Margie, giving her hair another toss, and then—finding it refused to obey—a push with her hand, which left a droll smear across her forehead.

"I should soon get tired of it," said Lilla.

"I'm used to work," returned Margie. "I expect I'm a good deal stronger than you are. I know what 'I' should get tired of, though—those books. Sit, sit, sitting, all day long, and every day in the week. I shouldn't mind the piano so much."

"But I want to get on," said Lilla. "You know, Margie, I mean to be great when I am grown up." And she hurried off with her books.

But that night when Lilla went to bed, she happened to remember Margie's words. And as it was Saturday night, she had plenty of time for conning them over, for Mrs. Eden never encouraged her in working late at her lessons on Saturdays.

"God gave us the Sabbath," she would say, "in order that we might refresh our bodies, as well as our souls, and make them strong for another week's work. And if we overtire ourselves before it comes, we lose half the benefit of it—which is next to breaking it."

Lilla put down her candle and went to the window. The sky was cloudy, and there were no stars, but the moon was up, and kept appearing between the rifts, casting a pale light over the plantation, and then vanishing again.

"I don't expect I 'am' so strong as Margie," she said to herself, as she watched it, "and certainly I am not so clever at housework. Then, I suppose, 'I cannot be so great in that respect.'"

This was a new thought, for it had never occurred to Lilla before that "greatness" could have anything to do with such things as physical health or bodily strength, or, in fact, anything but head-work.

"To be sure," she continued, after a few moments' reflection, "I make up for it in learning, for she doesn't know a word of French. But, then, I don't see how I can be 'really' great if one part of me is inferior. Still, I'm doing the best I can, and grandmother is certainly very pleased with my progress, so I must persevere. Only I must try to grow strong too."

So Lilla took to watering her flowers more vigorously, and running upstairs two steps at a time. She rummaged out a pair of dumb-bells, and used them, too, for ten minutes every day, to expand her chest.

Meanwhile, Margie, on her side, had not forgotten Lilla's words: "I mean to be great when I am grown up."

"It wouldn't be much use 'my' trying!" she said to herself. "Scrubbing and cleaning never made anyone great yet. But I should rather like to be something worth growing up for."

Thus, unknown to each other, mistress and maid were trying to reach the same end. But, as neither had yet learnt what true greatness really was, neither had found the road.

CHAPTER VII.

THE REWARD OF DILIGENCE.

"One by one thy duties wait thee,

Let thy whole strength go to each;

Let no future dreams elate thee,

Learn thou first what these can teach."

A. A. PROCTER.

SPRING passed and summer came, giving Lilla more time than ever for her books.

Every morning she was up with the lark. Whilst Margie bustled about the housework, she was busy in her flower-garden. Then, as the sun grew hot, she took her books into the little arbour and studied with unflagging assiduity, until Margie came to call her to breakfast. All through the day she continued learning, translating, drawing and practising, only allowing herself an occasional few minutes' respite. Then, in the cool of the evening, she would go for a stroll in the lane with her grandmother, or water the flowers with Margie until the stars came out, when she would stand gazing up at the sky, telling her their names, or trying to explain the solar system, until, when Mrs. Eden called them in, they were so dazed that they could hardly see their way.

Thus a firm friendship sprung up between them, and they came to tell each other their thoughts and to exchange confidences about their hopes and aspirations. And in this way, Lilla at last discovered that the young servant girl, like herself, had felt dissatisfied with living for nothing but eating and drinking, and earning money. And that she, too, longed to be something greater and worthier.

"But it's of no use," Margie said, sadly, as they turned to go in, after one of these talks. "And it won't do to stand still thinking about it, because I've got my living to earn. I suppose I must just go on sweeping and scrubbing, and perhaps it'll all come right some day."

"It would, if there were really such things as fairies," replied Lilla, "but they only exist in children's stories."

Yet there had been One all through the days of that spring and summer watching their every action and listening to their every thought, guiding and keeping them, and waiting until their ears were ready to listen to that gentle voice which said to John and Peter of old—"Follow Me."

With the end of August the days began to grow perceptibly shorter, and as September brought to a close the golden harvest time, Lilla's routine had gradually to change; afternoon walks were resumed, and lessons after tea took the place of gardening and star-gazing. But a reward for the past six months' diligence was awaiting her.

One day Mrs. Eden informed her that she had engaged a young lady to come every morning and superintend her studies.

"I had intended you to have masters for French and music," she said, "but that would leave out drawing for the present, besides which, I heard you express a wish to learn German, so I thought I could not do better than come to terms with this young lady, who teaches all these branches, and appears highly accomplished."

Lilla was very pleased, though somewhat excited, at the prospect of having to take lessons of a perfect stranger. The name of "governess" frequently suggests to young girls, the idea of a prim, stiff-backed sort of person, very clever, and extremely severe. Probably, Lilla shared the common notion. Therefore, although in her anxiety to get on she determined to brave all these terrors, she was very much relieved to find Miss St. Ives the exact opposite of all that she had pictured. She had the gentlest face and manners and such a beautiful way of explaining things that it was impossible not to understand. In short, from the very first, Lilla felt compelled to love her. There was a reason for this.

Miss St. Ives had been brought up in the school of trouble, which usually does one of two things for its pupils: either it puts hard lines on their faces and renders them fretful and discontented, because the world is not the fairyland of pleasure they once imagined it, or it makes them gentle and patient, always ready to help those who need encouragement. This was the case with Miss St. Ives, for she was a true follower of Christ. So when her father died, leaving them with a very slender income to depend upon, she had determined to forget how sad her own heart was in striving to be the stay and sunshine of her home. She had bravely undertaken the education of her two little sisters, and set herself to learn how to make her own dresses.

And when at last this opportunity of earning a little money had presented itself, she had thankfully accepted it in addition to her other work, in order that her mother—whose health had been much shattered by nursing and night watches—might have extra ease and comfort. And she was reaping a rich reward in the building up of a character which everybody loved and trusted.

Lilla soon found herself talking to her as freely as if she had known her for years, and even Margie would watch for the chance of getting to the door first for the sake of a smile and "thank you" when she admitted her. Mrs. Eden, herself, never allowed a morning to pass without coming to exchange a few words with her, and in doing so the old lady was not merely fulfilling the demands of common courtesy—she was attracted to the young governess by the irresistible charm of her Christ-like spirit.

Mrs. Eden was glad to have secured for Lilla a teacher whose influence over her was likely to be so good, especially as she, herself, was growing less and less fit to be her companion. The old lady was obliged to give up her long rambles now, so Lilla frequently walked home with Miss St. Ives after lessons, or accompanied her and her sisters in their strolls.

It was well for Lilla that she did not understand the many signs of failing health which were throwing their shadows over her grandmother. It would have saddened her young heart too much had she realised how the beloved companion and protector of her early days was fading away. The early morning no longer found the old lady briskly stirring, and she had even delegated to Lilla the duty of making the coffee. Her step had grown heavier of late, too, and she often heaved a weary sigh over her work. And, as the autumn evenings closed in, she loved to sit in the twilight, gazing into the fire, and talking of old times.

This was a sore trial for Lilla. There were tasks waiting to be learned, and she longed to be at them. Her ambition was to lose no moment of her time, and to waste half-an-hour listening to tales which she had known from time immemorial was a severe test of patience. But she never once allowed her grandmother to feel that she was weary of her forced idleness.

MISS ST. IVES.

CHAPTER VIII.

WASTED MINUTES.

"Every hour that fleets so slowly

Has its task to do or bear;

Luminous the crown and holy,

If thou set each gem with care."

ADELAIDE A. PROCTER.

ONE afternoon Mrs. Eden had been unusually silent, as they sat watching the flickering of the flames.

It had been a dull day. The darkness had closed in so early that it seemed to Lilla as if they had sat there for an hour or more, and she was getting terribly impatient. She had special reasons for wishing to be at work. Having received an invitation to spend the following evening with Clara and Nellie St. Ives, she was anxious to get double work done beforehand.

It was hard to be forced to doze away the hours to no purpose, and it is hardly to be wondered at if a spirit of rebellion was rising in her heart.

"Grandmother knows I want to study," she said to herself, "and she might be more considerate than to make me waste my time in this way."

Several times she was on the point of suggesting that she should light the lamp. But each time she looked up, the old lady's eyes were closed, and affection checked the words on her lips.

"She is old, and needs rest," it said.

So Lilla waited on, inwardly wondering how long.

At last Mrs. Eden's eyes opened, and she glanced at Lilla with a half-suppressed sigh.

Lilla looked up brightly, hoping that this was the signal to move.

"You have had a nice sleep, grandmother," she said, cheerfully.

"I have not been asleep," Mrs. Eden replied, "only resting. I am getting old now, and I did not sleep well last night."

"How was that?" inquired Lilla, anxiously. "Perhaps you overtired yourself yesterday, turning over those drawers."

"I did not hurry particularly," replied the old lady; "for I kept coming across so many relics of the past, and I could not help lingering over them. They will be yours soon, Lilla."

"I shall always treasure them, grandmother," replied the young girl, affectionately.

"Perhaps it was thinking about them that made me dream so much," continued the old lady, after a pause. "I thought I was back again among the hills where I lived when your grandfather and I were first married. There was the farmhouse, just as it stood on the side of the clough, and the spring at the bottom of the valley, and the stones where we so often sat together when your mother was a baby, watching the shadows creeping up. All just as it used to be when I was young."

"And you saw it all so plainly—"

"Ay! So plainly that it made me long to go back once more. But I shall never do that—nor see such hills again, until I stand upon the everlasting hills 'from whence cometh my help.'"

Lilla was silent. Her grandmother's words had awakened a new train of thought in her mind, and she forgot all about her lessons, until Margie came to know if she should bring tea.

She told Miss St. Ives about it next day, when they were alone together. They had had tea early, so as to make the evening as long as possible, and the twilight had scarcely yet taken the place of clear day.

"This is the time I usually waste," she said.

"How is that?" Miss St. Ives asked.

"Grandmother likes to sit still in the twilight," Lilla explained, "and I am compelled to wait, with my hands in my lap, whilst the sand runs out of my hour-glass."

"That gives you a little rest," said Miss St. Ives. "You must not go all on, all on."

"Oh! But indeed, I would rather be going on," pleaded Lilla. "I nearly get cross over it sometimes; you cannot think what a trouble it is to me."

"Cannot I?" said Miss St. Ives, stroking her hair fondly. "Do you know, I heard of somebody once, who used to 'waste' an hour every afternoon in a similar way, and sit up in the cold after every one was in bed to make amends."

(She did not say that it was herself of whom she was speaking; for "love vaunteth not itself.")

"But you must not think of doing that," she added. "'She' was fitting herself to earn her living. 'You' are only trying to make the most of your time."

"But half-an-hour a day is three hours a week," said Lilla. "Twelve hours a month. Twelve whole working days in the year. Too much to waste!"

"Are you quite sure it is 'waste'? What are you trying to learn?"

Lilla looked surprised. "French and German, and drawing and music," she answered.

"Is that all?"

"English, of course," said Lilla, "and everything that a lady ought to know. That is why I am so anxious not to lose time. I want to begin Italian by-and-by, if you will teach me. I want to be great."

"What is being great?" asked her friend.

Lilla did not reply directly; then she answered slowly: "I don't exactly know."

Miss St. Ives was silent for several minutes, too, before she spoke. Then she said: "Two things about it I can tell you. Mere 'book-learning' can never produce true greatness, and 'there is no royal road to it.'"

Lilla looked puzzled, and a thoughtful expression came over her face.

"These 'wasted hours,'" continued her friend, "have been teaching you more than all your books—except 'one'—could teach you. You have been learning how to be patient and give up your own way in order to minister to another. Do you see that tree at the bottom of the garden?"

Miss St. Ives pointed to a tall wych-elm in the hedge that bounded their little garden. The autumnal blast had not left a single leaf upon its graceful boughs, but a strong plant of ivy had twined its arms around the trunk, casting a thick mantle of green around its desolate old age.

"I often think that we young people are like the ivy," she said. "There is so little enjoyment in the lives of the aged and infirm, unless we cling to them and spread our young green leaves around them. But we have to learn to do it. And it is often far more difficult than French or German because it involves self-forgetfulness and patience. But it comes far nearer leading us to true greatness."

CHAPTER IX.

WHICH WAS THE GREATEST?

"Real glory

Springs from the silent conquest of ourselves."

THOMSON.

MARGIE was in high feather. She had been in Mrs. Eden's service six months now, and had earned money enough to buy herself a tidy Sunday dress, besides which Mrs. Eden had promised to raise her wages at the end of that time, if she proved herself worthy. So having obtained permission to go one afternoon to choose the dress, she started out early after dinner, to join her mother, who had arranged to meet her at Mrs. Eden's gate.

She was not in sight, however, when Margie stepped out, so she walked on, expecting every minute to see the well-known bonnet and shawl in the distance. But step after step had taken her past the farm where Jack worked, which marked half-way, and still her mother did not come. Margie began to grow uneasy lest she should have gone on without her. She turned once or twice and looked back towards the farm, wondering whether her mother had gone up to the house for anything, but she could not see anything of her, and nothing remained but to go straight on. So on Margie went, until she came in sight of the cottage.

"Mother must have forgotten all about it," she said to herself, as she ran round the back door and through the wash-house.

But her mother had not forgotten, and Margie saw at once how it was, as she entered the room. Mrs. Rust was sitting by the fire with little Tommy on her lap, and Tommy did not even open his eyes at his sister's approach.

Margie looked frightened.

"What is the matter, mother?" she cried, bending over him.

"I don't know," replied Mrs. Rust. "I've been up with him two nights, but the doctor can't tell what's amiss with the child. He thinks it's a chill."

"And you 'do' look tired, mother," said Margie. "Let me take him a bit."

Mrs. Rust shook her head. "Best not," she said, "in case of its being anything catching."

"But you can't manage everything and nurse him too, mother," said Margie, sitting down at a little distance. "I'd better come home and help you, if Mrs. Eden would spare me."

Mrs. Rust shook her head again.

"That would never do," she replied. "You would lose your place, for ladies won't be put out. I can't afford to have you at home. I must manage as best I can."

"But you can't, mother," persisted Margie. "And Mrs. Eden is so kind, I am sure she would spare me."

Mrs. Rust, however, declined to entertain the idea, repeating that with sickness in the house, and the winter coming on, her father would not want her on his hands.

"I shall be glad of your money, though, Margie," she added, "for if Tommy gets better, please God, he'll want feeding up. Any way, there'll be the doctor's bill to pay. So I'm afraid you must give up all thoughts of your dress for the present."

Margie took out the money which she had carefully tied up in a corner of her handkerchief, and laid it on the mantel-shelf without a murmur. It was rather hard to have to part with it, after looking forward so long to the pleasure of spending it. But Margie thought more about Tommy than about that.

"Poor little fellow!" she exclaimed, looking tenderly at his sad little face for a moment. Then, jumping up and pulling off her hat and jacket, she asked: "Now, mother, what is there wants doing?"

And for the rest of the time that she could call her own, Margie did not once sit down, so anxious was she to make things easy for her mother.

Lilla looked almost more disappointed than Margie herself when the latter returned and told her.

"What a shame!" she cried. "You ought to have your dress, Margie."

"But you see, Miss Lilla, mother wants the money. It's nobody's fault that Tommy is ill."

"Well, of course, I didn't exactly mean 'that,'" returned Lilla. "But you have worked for the money; it's your own, and you ought to have the dress. Aren't you very vexed?"

Margie was forced to admit that she was sorry. "I thought I was going to get on, like my cousin Charlotte," she said. "You should see her clothes, Miss Lilla. All worked like any ladies. Such nice dresses, too, and a Sunday hat as smart as yours. But it can't be helped. I don't suppose I shall ever get on."

"It doesn't seem as if I ever shall, either," said Lilla. "So many things come in the way that I've almost given up trying to be great. And yet I can't help wanting to."

"Ah! It's different for rich people," sighed Margie. "The only way for poor people to get on, is to work hard. Even then there's no chance of their being 'great.'"

"But we're not 'rich,'" said Lilla. "That was why grandmother did without a servant so many years."

"You're not 'poor,'" returned Margie, decisively. "You just try living in our house for only a week, Miss Lilla."

Tommy's recovery was very slow. Even after he fairly took a turn for the better, it was long before he had any appetite for any but the daintiest food. Mrs. Eden was very kind, and often made tempting little puddings for him. Sometimes Lilla would carry them to the cottage; sometimes Mrs. Eden would spare Margie for a couple of hours in the afternoon to run over and see how Tommy was. And on these occasions, the good girl always spent the whole of the time in doing her utmost to help her mother.

One afternoon on reaching home she found her cousin Charlotte sitting by the fire. Margie had brought a little custard in a basket, and also her week's wages, which she put down upon the table with some pride, after greeting her cousin.

"Is that all you get?" exclaimed the latter, in a scornful tone.

"I think half-a-crown is very good for a first place," replied Margie, a little astonished at Charlotte's contemptuous manner.

"Oh I if you're satisfied, I am," was the rejoinder. "But you'll never get on at that rate."

"I only had two shillings a week, for the first six months," said truthful Margie.

"Come, you've 'got on' sixpenny worth, then," sneered the other.

"And Mrs. Eden is so kind that I'm sure she would give me what is right," continued Margie.

"You simple!" exclaimed Charlotte. "She's taken you in, has she? If you'd asked more, she'd have given it. I wonder aunt isn't sharper."

"Mother is quite satisfied," said Margie.

And, as Mrs. Rust returned just then with Tommy in her arms, the conversation dropped.

Charlotte had taken possession of the easiest chair, but she did not attempt to give it up to her aunt, although the latter had the sick child to nurse. Margie did not notice this, however, for the instant her mother came in she jumped up and took Tommy.

And Mrs. Rust, apparently very glad of the relief, sat down to rest. Presently she perceived the half-crown on the table.

"That is just what I was counting on, Margie," she said, putting it on the mantel-shelf. "I had to take some of the rent money for Tommy's medicine, and this will replace it."

Margie was too busy trying to amuse Tommy to remark the expression on her cousin's face at these words. But a few minutes later, Mrs. Rust went out into the wash-house to make the most of her time while Margie could stay, and then Charlotte began.

"I say, Margie," she said, "I didn't think you were quite such a simple as that! Do you mean to say that you give up all your money?"

"I've been obliged to since Tommy's been ill," replied Margie.

"How do you expect to get on, at that rate, you simpleton?" exclaimed her cousin. "I tell you, I never gave up a penny of 'my' money from the very first. And that's why you see me as I am."

Charlotte looked down at herself with a very self-satisfied air, and Margie's eyes followed hers.

One glance was sufficient. Her outfit seemed perfect. Her hat was turned up on one side with a jaunty air, and had a flashy scarlet flower on the front. Her jacket fitted tightly to her figure, and fastened over with a double row of bright buttons, whilst from under the edge of her dark-blue skirt peeped one foot in a dainty walking shoe and red stocking.

Margie was struck dumb for the minute, by so much finery, and did not answer, but bent her head over Tommy, feeling almost ashamed of her plain linsey gown.

"You'd like to get on, wouldn't you?" continued Charlotte, gratified at the effect she had produced.

"Of course," answered Margie.

"Well; there's only one way," said Charlotte. "And that is to look after number one."

"But how can I help myself?" asked Margie. "The rent must be paid."

"You've nothing to do with the rent once you're in service," said Charlotte. "Why, you're not even eating your father's food now, and he ought to have that much more money towards the rent. Take my advice, Margie. If you give, you 'may' give; and that's all the thanks you'll get."

And, snapping her fingers, she rose, and said it was time for her to be going.

CHAPTER X.

A FRIEND IN NEED.

"God uses us to help each other so."

BROWNING.

MARGIE thought a good deal about her cousin's words as she ran back to the lodge, and she could not help acknowledging the justice of them. Her father certainly had more money to spend than when she was at home, and it would undoubtedly be very pleasant to wear nice clothes and look like a lady. But, as Charlotte had observed, she would never do it at that rate. Even if she spent all her money upon herself, it would be some years before she could be as well dressed as her cousin. But if not—"Why, it's as bad as trying to walk through a brick wall," said Margie to herself; "there's no road."

So she went home to her place in rather a disturbed state of mind, between her desire to "get on" and her affection for her parents.

It happened that Lilla's day had not passed over quite satisfactorily either. Mrs. Eden had been turning over some more of her drawers, and Lilla, attracted by the curious patterns of the dresses—some of which the old lady had worn in her girlhood—had been tempted away from her studies. The consequence was that, when bed-time came, they were not completed, and Lilla had to go upstairs feeling that her day's work was unfinished.

Margie was just taking her candle into her room at the same time, and Lilla, remembering something which she had rummaged out from amongst her grandmother's curiosities, called to her.

"Look here, Margie," she said, "isn't this a funny little book? Grandmother gave it me this afternoon. It is thirty years old."

"'Dewdrops,'" said Margie, taking it in her hand.

"Yes. It contains a text for every day in the year; something like Miss St. Ives' birthday book. I wonder what to-day's is."

Margie gave it back to her, and having found the day of the month, Lilla read out:—"'Whose adorning let it not be that outward adorning of plaiting the hair, and of wearing of gold, or of putting on of apparel; but let it be the hidden man of the heart—even the ornament of a meek and quiet spirit, which is in the sight of God of great price.'"

"'Apparel,' Miss Lilla?" asked Margie.

"Fine clothes," explained Lilla. "It means, I suppose, that to be good and kind is worth far more than to be finely dressed."

Margie went to bed thinking a good deal over these words, and when she knelt to say her prayer, she added a little petition of her own, that she might not envy her cousin's fine clothes, but be content with doing what she knew to be right, whether it made her "great" or not.

Thus Lilla's text was the salt which prevented her pure young heart from becoming corrupted by her cousin's advice.

Meanwhile, Lilla had glanced in at the verse for next day. It was:—"'The wisdom of this world is foolishness with God.'"

She did not understand the meaning of it then. But passing over it to the next, she read:—"'Seek ye first the kingdom of God, and His righteousness; and all these things shall be added unto you.'"

"I am trying to do right," she said to herself, as she put it down, "so I suppose I shall be great some day. I wish I could get along faster, though!"

As time went on, Margie's troubles increased.

Tommy was no sooner able to run about again than her mother's health broke down. And when Margie went home one Sunday afternoon, she found her in bed.

"What to do I don't know," she said. "Doctor says I may have to lie here some weeks, and, in the meantime, what is to become of the children? I shouldn't like to take you away from your place, but I can't see how it's to be helped."

Margie cried herself to sleep that night. But after breakfast next morning, having risen earlier than usual, in order to give the room an extra clean, she astonished Mrs. Eden by the intelligence that she wanted to leave at once.

"How is that, Margie?" inquired the old lady, in rather a displeased tone of voice. "And why have you not given me proper notice?"

"I'm very sorry, ma'am," replied Margie, looking down to hide her tears. "Please don't be angry with me, but—"

"Aren't you comfortable?" asked Mrs. Eden. "Or isn't your mother satisfied?"

"It isn't that, ma'am," replied Margie. "I don't want to go, for I'm so fond of Miss Lilla, and you've been so good to Tommy; but—" And here Margie, unable to hold out any longer, fairly broke down and hid her face in her apron as she sobbed out: "Mother's ill in bed, and there's no one to look after her."

Mrs. Eden saw at once how matters stood, and, finding upon further inquiry that Mrs. Rust's illness was serious, promised that, as soon as Margie had done what was absolutely necessary, she should go home.

Lilla came in just as Margie was carrying out her waiter, and, perceiving her red eyes, inquired of her grandmother what was the matter.

"Poor girl!" she exclaimed. "Shall we have to find another servant, grandmother?"

"I suppose we shall," replied Mrs. Eden. "The cold weather is coming on, and Mrs. Rust may be some weeks before she is able to spare Margie again."

"I 'am' sorry," Lilla said, as she took down her books, ready for Miss St. Ives.

Mrs. Eden sat still some time thinking. Then she rose, saying: "Yes, I am sorry too. She has been a good girl, and it will give me some trouble to train a fresh hand."

A sudden idea came into Lilla's head.

"Grandmother," she said, "need we send her away altogether?"

Mrs. Eden reflected. "I had been turning it over in my mind," she said. "To be sure, I could have a woman to clear up in the afternoon, but who is to get up and light the fire?"

"May I do it, grandmother?" asked Lilla.

"I am afraid you would soon tire of it," replied her grandmother, "and have Miss St. Ives complaining about neglected lessons. Still, if you are really desirous of trying, you may do so."

"And I can work a little harder to make up, grandmother. I'm afraid I haven't been so industrious lately."

The fact was, Lilla had grown almost tired of making mere learning her only aim. For she had a heart as well as a head, and there was another kind of education—not to be acquired from books—without which she could never be truly happy or great. But the idea of doing something to help Margie inspired her with fresh energy.

Mrs. Eden had not been long absent when she returned for something she had forgotten. During this time, Lilla had remained standing by the book shelves, to all appearance intently studying the bindings of the volumes, but in reality busily revolving a scheme which had suggested itself to her. When her grandmother came in, however, she turned round.

"Grandmother," she said, "I have been thinking that if you employ a charwoman every afternoon, it will cost you much more than you pay Margie. Couldn't I take her place entirely till she comes back, and let her carry home her money the same as usual. I am sure they will want it more than ever."

Mrs. Eden hesitated at first, but, finding that Lilla was in earnest, at length gave her consent to the arrangement.

Margie's gratitude knew no bounds. She cried and thanked Lilla over and over again.

But Lilla said, simply: "I know how I should feel if grandmother were ill, and I'm sure I shall be much happier for doing it."

Lilla was right. Though, it must be confessed, it was cold work on the raw December morning, and her fingers looked red and swollen on the keys of the piano when Miss St. Ives gave her her lesson. But Miss St. Ives thought none the worse of her for that, having been told by Mrs. Eden the secret of her unselfishness.

And had Lilla but known it, by this action of self-sacrificing love towards one who, in the eyes of this world, was her inferior, she was daily growing more and more like Him of whom it was written, that He "increased in wisdom and stature, and 'in favour with God and man.'"

CHAPTER XI.

MARGIE THROWS NEW LIGHT ON THE QUESTION.

"It is not well to say,

Our lowly race is run

In far too narrow way,

For great deeds to be done.

"Let fair intention move

The heart to do its best,

And little wrought in love

Is 'good work' great and blest."

ELIZA COOK.

MRS. RUST'S recovery was much hastened by Margie's presence at home, especially as she knew that, through the kindness of her young mistress, the forced holiday would in no way affect her prospects. Still, December was nearly over, and the Old Year, with hoary head and darkened sight, was tottering to his grave, before Margie reappeared as maid-of-all-work at the Lodge.

Lilla needed no thanks. Margie's happy face, as she once more took up her place in the little kitchen, was reward enough.

"And how tidy you've kept everything, Miss Lilla," she said. "I had no idea that ladies could work."

"I only had to get up a little earlier," returned Lilla. "I never quite liked your being capable of something I couldn't do. All I minded was being obliged to neglect my lessons, but Miss St. Ives knew it was not my fault, so she did not scold me."

Poor Margie said nothing, but Lilla had unintentionally made her feel that she was to blame if her young mistress had been kept back on the road to greatness. Yet she herself had never once murmured at having given up all the money which was to have enabled her to make the first start towards "getting on."

Meanwhile, as the old frock grew older and older, it became increasingly difficult to make it look respectable, and when Lilla went into the kitchen on the last day of the old year, which happened to be Saturday, she found Margie patching it, with a very rueful look upon her face.

"You will soon be able to have the new one now, Margie," Lilla said, kindly.

Margie shook her head. "I want new boots, first, Miss Lilla," she said. "I must make this do a bit longer. I had no idea it would be so difficult to get on," she added, with a little sigh as she prepared to fix another patch. "But, then, I mustn't complain, after all your kindness."

"It does seem hard to get on," said Lilla, reflectively. "Mr. Munro said the way was always to do the thing that lay the nearest, but I have been trying to do that ever since last March, and now the year is gone, I don't believe I'm a step nearer being 'great' than I was when I started."

Margie was silent, not knowing what to say, but she understood perfectly well how Lilla felt.

"Mother often tells us we don't know what we can do till we try," she went on to herself when Lilla was gone. "It seems as if we don't know how hard some things are till we try . . . And yet I've learnt a good deal since last spring. A few months ago I couldn't have sewn on these patches without mother fixing them, and I suppose I only found out how to do it by trying. But, after all, being able to patch my frock doesn't make me 'great.'"

Had Margie opened her Bible at the right place, she would have read—"He that is faithful in that which is least is faithful also in much." But, probably, she would not have thought the words had much to do with her.

Next day she went to church as usual, only feeling more than ever glad that it was dark, so that the smartly-dressed people who pushed by her in the aisle could not see how shabby she was. She thought about it a good deal more than she ought to have done during the prayers, but at the first sound of the text she started as if Mr. Munro had addressed her by name, and all through the sermon she listened with undivided attention.

The verse which he had given out was Matt. xx. 26: "Whosoever will be 'great' among you, let him be your minister; and whosoever will be chief among you, let him be your servant: even as the Son of Man came not to be ministered unto, but to minister, and to give His life a ransom for many."

There was a great deal in the sermon that she could not understand, but one thing Mr. Munro said plainly: that those who, of their own free will, became the servants of others, were most truly great, because they copied most faithfully the Saviour, who humbled himself for our sakes even to the death upon the cross.

Margie thought of her young mistress.

"Isn't that just like what Miss Lilla did?" she said to herself. "Making herself a servant on purpose to help mother and me?"

Margie was right so far, but not in her next conclusion.

"'I' can never be a servant 'of my own free will,'" she said to herself. "I am obliged to be one to earn my living."

She forgot how she had voluntarily given up her money, to nurse her mother and minister to her brothers and sisters, when she might have gratified her own desires and sought her own pleasure.

Next morning Margie went about her accustomed work as briskly as usual. But as she swept and brushed, this sermon came back to her, and she wished she could be a lady, if only for a single day, so that she might stoop to enter in at the low door of humility which leads to true greatness.

She did not yet know the meaning of the word "servant."

When Lilla came down, she was on her knees, plying her brush vigorously on the carpet. Lilla went straight across to the book-shelves and took down an armful of books. But as she crossed the room to carry them out into the kitchen, she paused.

"You sweep better than I do, Margie," she said. "It makes my wrists ache so."

"I'm used to it, Miss Lilla," replied Margie, looking down at her own stout arms and resting for a moment. "It's not fit for ladies."

"I can't see why ladies should not be able to do what their servants can," said Lilla, thoughtfully. "How can they pretend to be greater, else?"

Margie bent forward again with one palm on the carpet and gave one or two strokes with her brush, as though half a mind to say something.

"Miss Lilla," she asked suddenly, without looking up, "did you listen to the sermon last night?"

"Of course I did," replied Lilla. "Why? I always do; don't you?"

"I don't know," replied Margie, still sweeping gently. "I don't think I do, for I never heard one before that kept in my head so much. Did you notice that it was all about being great?"

"Yes," returned Lilla, with a sigh. "But it didn't make it any plainer to me how I was to be great."

"Didn't it, Miss Lilla?" said Margie. "It seemed to be all about you."

"All about me?" Lilla rested her books on the table and began chafing her hands, which were still red and chapped from the effects of the housework she had done.

Margie noticed them.

"Look at your poor hands, Miss Lilla," she said, raising herself up again and resting on her brush, "and all because you became my servant. That's like what Jesus Christ would have done, if He had seen me crying about my mother."

These words of Margie's threw a new light on the question. It had never occurred to Lilla before that greatness could be reached by any other means than diligent study. But it flashed upon her now that Margie's text was the key to the golden gate; that she must not only strive to store her mind with a wealth of knowledge and learning, but that she must endeavour so to copy the beautiful example of her Saviour's life that all her powers of heart, mind, and soul—as well as every moment of her time—might be consecrated to His service.

"At any rate," she said to herself, glancing with a sense of satisfaction at her rough hands, "I have made a beginning. And, now that I have once found out the way, I shall keep a sharp look out for opportunities of doing good. I will not neglect my studies, and I will do all I can to grow strong and robust. But I will be very good to grandmother and Margie. And as soon as ever I am old enough, I will begin teaching poor children and reading the Bible to old women, and making Dorcas' clothes; and perhaps some of these days I shall be a little bit like Mrs. Fry and Florence Nightingale."

CHAPTER XII.

THE WAY, THE TRUTH, AND THE LIFE.

"Be good, sweet maid, and let who will be clever:

Do noble things, not dream them, all day long;

And so make life, death, and that vast for-ever

One grand, sweet song."

KINGSLEY.

LILLA found her new resolve harder to carry out than she had expected. She was constantly planning what she could do to serve others, and in her quiet home-life there seemed so little opportunity for heroic deeds of self-sacrifice that she speedily grew disheartened. And whilst she was dreaming of all that she would do when she was grown up—how she would brave the fire of the enemy like the good nurses who tended the soldiers on the battle-field, how she would move to and fro among the beds in the hospital wards followed by the fervent blessings of every patient, or how she would even sail away from her dear, native land, to sit, Bible in hand, under a palm-tree, telling the dark-skinned heathen of the love of Christ—all her real opportunities, "the things that lay the nearest," slipped by. And she was left vexed, and often peevish, because she had done no more. Thus the weeks slipped away, and Easter drew nigh, and still she seemed no nearer her goal.

Then her grandmother fell ill, and studies had to be neglected for poulticing. And the poor child's hands became very full, preparing beef-tea and jellies.

What she would have done without the help of Miss St. Ives in this new trouble, it is impossible to say. For she knew very little about making delicacies. But Miss St. Ives had gained considerable experience in such work, and would often come in for an hour to help her out of her difficulties, or stay with the old lady whilst Lilla went out for some fresh air.

Of course, as long as Mrs. Eden continued seriously ill, there was so much to engage Lilla's attention that her good resolutions and her ambition to be great had a holiday. But when the old lady became fairly convalescent, and things slipped back into their old routine, she began to review the past month and think how little advance she had made.

"I waste so much time," she said to Miss St. Ives one day, as they talked by the firelight whilst Mrs. Eden took her customary nap upstairs, "and then Mr. Munro preaches one of his beautiful sermons and reminds me how all my resolutions have vanished into mist; and I end by being very unhappy."

Lilla had been opening her heart to her friend, and the latter, helped by her own experience, had seen even deeper into its recesses than Lilla knew.

"What do you do when you hear a sermon?" she asked.

"I don't know what to do," replied the girl.

"Don't know what to do?"

Had Miss St. Ives' question been less gently asked, it might have sounded like a harsh censure on Lilla's helplessness. As it was, it had the effect which Miss St. Ives intended—it made Lilla explain to herself the reason why all her good thoughts ended in such a hopeless tangle.

"I think I will do a good many things," she said, looking up quickly, "and then I wonder which I had better begin with, and whether it will be at all possible to do any of them. And it always ends where it began—in thinking."

"Suppose you were to think of one thing only."

"If I knew which one to pick out, I would," answered Lilla, sadly.

"Let me see if I can help you in the choice," said Miss St. Ives. "Give me a list."

Lilla hesitated a moment, and then complied, detailing at length all her plans for devoting her life to the service of God and the good of her fellow creatures.

Miss St. Ives shook her head.

"Not one of them, Lilla," she said.

Lilla looked surprised.

"You are beginning in the wrong place," continued her friend, "because when you have done one, all the rest remain to be done."

Lilla looked yet more hopelessly bewildered, and Miss St. Ives went on: "You never heard of a fruit-tree which 'began' by bearing fruit. All the good works in your list are 'fruits,' but they cannot come unless the tree is 'rooted and grounded in love.' 'As the branch cannot bear fruit, . . . except it abide in the vine; no more can ye, except ye abide in Me,' said Christ."

"What am I to do, then?"

"What does the tree do?"

Lilla rested her chin in her palm, and gazed into the fire. "It grows," she answered, slowly, "but I don't know how it grows."

"No more than how you, yourself, grow."

"Am I growing?"

"Undoubtedly. You are like a seed, struggling upward towards the light."

"But the tree grows without thinking. So many thoughts come into my head about 'how' I am to do it; and that is what puzzles me."

"They are only the signs of life in your soul. If you were to place a seedling where it could barely see the light, what would it do? 'It would grow towards the light.' It would bend and twist itself anyhow in order to escape from under the shade that hid it. And that is what you are doing—struggling to get into the light, because it is the nature of every man and woman whom God has made in His own image to long after His light."

"What am I to do, then?" again asked Lilla, with a sigh.

"You are heavy laden, Lilla," said her friend; "and Christ is calling you to take His yoke upon you. You are like those disciples journeying to Emmaus on that first Easter-even. Your heart burns within you, though you have not recognised His voice."

"But I am trying to serve God," said Lilla, looking up with tears in her eyes.

"I know, Lilla," replied her friend, "but you have been trying with your hands and your head. Give your heart to Christ, and head and hands will follow. For if you truly love Him 'who gave Himself' for you, you will keep His commandments."

"And that will make me truly great," said Lilla, looking up eagerly.

"Not in the eyes of the world," replied Miss St. Ives, gently. "Perhaps 'never' in this world, for the 'narrow way' is no 'Royal Road,' and those who travel it are often footsore and weary. But they have peace in their hearts, for the Master has trodden it before them. And when it is hardest, they can say, 'He knoweth the way that I take.'"

Lilla sat silent for some minutes, gazing thoughtfully into the blaze. Then she said slowly:

"Is 'following Christ' doing 'the thing that lies the nearest'—however humble it may be—because He has given it me to do, and because I love Him?"

"That is all, Lilla; and that is why it is a way of perfect peace. For we have not to search out great and hard things to do, but just to go on faithfully fulfilling each duty as it comes—for His dear sake."

"High and low, rich and poor, one with another," repeated Lilla, thoughtfully, as her friend, having finished buttoning her gloves, rose to go. "I must tell Margie that."

******

Two years have passed since the Easter when Lilla chose "that better part, which shall not be taken away from her," and she has made good progress upon the way that "leadeth unto life."

It has not all been sunshine for her. The dear old face she loved so well is laid to sleep in the churchyard on the hill, and "The Lodge" is no longer Lilla's home. Instead of looking out upon the familiar plantation, with its babbling brook and its chorus of song-birds, her window now faces the backs of the houses in the next street of the suburb where she lives with one of her aunts.

But she has "drunk of the brook by the way," and it has become a fountain of water in her heart, springing up unto everlasting life. And amid all her troubles, she has the knowledge that an all-wise Hand is guiding her, and that her trust is in One who is able to guard and keep her unto the end.

So, although she often longs for a sight of the old place, she is happy in living where God has placed her, and in trying to do her duty faithfully and well. She is building up a strong and useful womanhood which will leave the world the better for its influence.

As for Margie, she has found a home in Mr. Munro's family, glad to remain so near her mother, though deeply sorry to be separated from the young mistress by whose help she came to see that a servant-maid may be as truly great as any lady to whose daily wants she ministers.

She, too, is walking worthy of her high calling, and daily growing in all those Christian graces which beautify the most common lot.

What the future has in store for her we cannot tell. It may be that in years to come she will strengthen the hands of some honest working man, and make his home the happy haven which every English hearth should be. Or it may be she will stay in service all her days, comforting her parents' old age with her savings, and laying up a little store against the time when grey hairs and wrinkles come to her. But either way, her life will be a useful and contented one, if still lived unto Him whose "Well done" is the promised reward of all faithful work.

Meanwhile, although Lilla and Margie do not often meet now, they often write to each other. And Margie will never forget how Lilla helped her to find the way, which—although it is no royal road—is yet the path our Saviour trod of old when He bade His disciples "Follow Me."

THE END.

PRINTED BY MORRISON AND GIBB LIMITED, EDINBURGH

*** END OF THE PROJECT GUTENBERG EBOOK NO ROYAL ROAD ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

NO ROYAL ROAD;

CHAPTER I.

CHAPTER II.

CHAPTER III.

CHAPTER IV.

CHAPTER V.

CHAPTER VI.

CHAPTER VII.

CHAPTER VIII.

CHAPTER IX.

CHAPTER X.

CHAPTER XI.

CHAPTER XII.

THE FULL PROJECT GUTENBERG™ LICENSE