The Project Gutenberg eBook of The Poetical Works of Oliver Wendell Holmes — Volume 02

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Poetical Works of Oliver Wendell Holmes — Volume 02

Author: Oliver Wendell Holmes

Release date: September 30, 2004 [eBook #7389]

Most recently updated: December 30, 2020

Language: English

Other information and formats: www.gutenberg.org/ebooks/7389

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF OLIVER WENDELL HOLMES — VOLUME 02 ***

Produced by David Widger

THE POETICAL WORKS

OF

OLIVER WENDELL HOLMES

[1893 three volume set]

ADDITIONAL POEMS

1837-1848

THE PILGRIM'S VISION THE STEAMBOAT LEXINGTON ON LENDING A PUNCH BOWL A SONG FOR THE CENTENNIAL CELEBRATION OF HARVARD COLLEGE, THE ISLAND HUNTING-SONG DEPARTED DAYS THE ONLY DAUGHTER SONG WRITTEN FOR THE DINNER GIVEN TO CHARLES DICKENS, BY THE YOUNG MEN OF BOSTON, FEBRUARY 1, 1842 LINES RECITED AT THE BERKSHIRE JUBILEE NUX POSTCOENATICA VERSES FOR AFTER-DINNER A MODEST REQUEST, COMPLIED WITH AFTER THE DINNER AT PRESIDENT EVERETT'S INAUGURATION THE PARTING WORD A SONG OF OTHER DAYS SONG FOR A TEMPERANCE DINNER TO WHICH LADIES WERE INVITED (NEW YORK MERCANTILE LIBRARY ASSOCIATION, NOVEMBER, 1842) A SENTIMENT A RHYMED LESSON (URANIA) AN AFTER-DINNER POEM (TERPSICHORE)

THE PILGRIM'S VISION

IN the hour of twilight shadows

The Pilgrim sire looked out;

He thought of the "bloudy Salvages"

That lurked all round about,

Of Wituwamet's pictured knife

And Pecksuot's whooping shout;

For the baby's limbs were feeble,

Though his father's arms were stout.

His home was a freezing cabin,

Too bare for the hungry rat;

Its roof was thatched with ragged grass,

And bald enough of that;

The hole that served for casement

Was glazed with an ancient hat,

And the ice was gently thawing

From the log whereon he sat.

Along the dreary landscape

His eyes went to and fro,

The trees all clad in icicles,

The streams that did not flow;

A sudden thought flashed o'er him,—

A dream of long ago,—

He smote his leathern jerkin,

And murmured, "Even so!"

"Come hither, God-be-Glorified,

And sit upon my knee;

Behold the dream unfolding,

Whereof I spake to thee

By the winter's hearth in Leyden

And on the stormy sea.

True is the dream's beginning,—

So may its ending be!

"I saw in the naked forest

Our scattered remnant cast,

A screen of shivering branches

Between them and the blast;

The snow was falling round them,

The dying fell as fast;

I looked to see them perish,

When lo, the vision passed.

"Again mine eyes were opened;—

The feeble had waxed strong,

The babes had grown to sturdy men,

The remnant was a throng;

By shadowed lake and winding stream,

And all the shores along,

The howling demons quaked to hear

The Christian's godly song.

"They slept, the village fathers,

By river, lake, and shore,

When far adown the steep of Time

The vision rose once more

I saw along the winter snow

A spectral column pour,

And high above their broken ranks

A tattered flag they bore.

"Their Leader rode before them,

Of bearing calm and high,

The light of Heaven's own kindling

Throned in his awful eye;

These were a Nation's champions

Her dread appeal to try.

God for the right! I faltered,

And lo, the train passed by.

"Once more;—the strife is ended,

The solemn issue tried,

The Lord of Hosts, his mighty arm

Has helped our Israel's side;

Gray stone and grassy hillock

Tell where our martyrs died,

But peaceful smiles the harvest,

And stainless flows the tide.

"A crash, as when some swollen cloud

Cracks o'er the tangled trees

With side to side, and spar to spar,

Whose smoking decks are these?

I know Saint George's blood-red cross,

Thou Mistress of the Seas,

But what is she whose streaming bars

Roll out before the breeze?

"Ah, well her iron ribs are knit,

Whose thunders strive to quell

The bellowing throats, the blazing lips,

That pealed the Armada's knell!

The mist was cleared,—a wreath of stars

Rose o'er the crimsoned swell,

And, wavering from its haughty peak,

The cross of England fell!

"O trembling Faith! though dark the morn,

A heavenly torch is thine;

While feebler races melt away,

And paler orbs decline,

Still shall the fiery pillar's ray

Along thy pathway shine,

To light the chosen tribe that sought

This Western Palestine.

"I see the living tide roll on;

It crowns with flaming towers

The icy capes of Labrador,

The Spaniard's 'land of flowers'!

It streams beyond the splintered ridge

That parts the northern showers;

From eastern rock to sunset wave

The Continent is ours!"

He ceased, the grim old soldier-saint,

Then softly bent to cheer

The Pilgrim-child, whose wasting face

Was meekly turned to hear;

And drew his toil-worn sleeve across

To brush the manly tear

From cheeks that never changed in woe,

And never blanched in fear.

The weary Pilgrim slumbers,

His resting-place unknown;

His hands were crossed, his lips were closed,

The dust was o'er him strown;

The drifting soil, the mouldering leaf,

Along the sod were blown;

His mound has melted into earth,

His memory lives alone.

So let it live unfading,

The memory of the dead,

Long as the pale anemone

Springs where their tears were shed,

Or, raining in the summer's wind

In flakes of burning red,

The wild rose sprinkles with its leaves

The turf where once they bled!

Yea, when the frowning bulwarks

That guard this holy strand

Have sunk beneath the trampling surge

In beds of sparkling sand,

While in the waste of ocean

One hoary rock shall stand,

Be this its latest legend,—

HERE WAS THE PILGRIM'S LAND!

THE STEAMBOAT

SEE how yon flaming herald treads

The ridged and rolling waves,

As, crashing o'er their crested heads,

She bows her surly slaves!

With foam before and fire behind,

She rends the clinging sea,

That flies before the roaring wind,

Beneath her hissing lee.

The morning spray, like sea-born flowers,

With heaped and glistening bells,

Falls round her fast, in ringing showers,

With every wave that swells;

And, burning o'er the midnight deep,

In lurid fringes thrown,

The living gems of ocean sweep

Along her flashing zone.

With clashing wheel and lifting keel,

And smoking torch on high,

When winds are loud and billows reel,

She thunders foaming by;

When seas are silent and serene,

With even beam she glides,

The sunshine glimmering through the green

That skirts her gleaming sides.

Now, like a wild, nymph, far apart

She veils her shadowy form,

The beating of her restless heart

Still sounding through the storm;

Now answers, like a courtly dame,

The reddening surges o'er,

With flying scarf of spangled flame,

The Pharos of the shore.

To-night yon pilot shall not sleep,

Who trims his narrowed sail;

To-night yon frigate scarce shall keep

Her broad breast to the gale;

And many a foresail, scooped and strained,

Shall break from yard and stay,

Before this smoky wreath has stained

The rising mist of day.

Hark! hark! I hear yon whistling shroud,

I see yon quivering mast;

The black throat of the hunted cloud

Is panting forth the blast!

An hour, and, whirled like winnowing chaff,

The giant surge shall fling

His tresses o'er yon pennon staff,

White as the sea-bird's wing.

Yet rest, ye wanderers of the deep;

Nor wind nor wave shall tire

Those fleshless arms, whose pulses leap

With floods of living fire;

Sleep on, and, when the morning light

Streams o'er the shining bay,

Oh think of those for whom the night

Shall never wake in day.

LEXINGTON

SLOWLY the mist o'er the meadow was creeping,

Bright on the dewy buds glistened the sun,

When from his couch, while his children were sleeping,

Rose the bold rebel and shouldered his gun.

Waving her golden veil

Over the silent dale,

Blithe looked the morning on cottage and spire;

Hushed was his parting sigh,

While from his noble eye

Flashed the last sparkle of liberty's fire.

On the smooth green where the fresh leaf is springing

Calmly the first-born of glory have met;

Hark! the death-volley around them is ringing!

Look! with their life-blood the young grass is wet

Faint is the feeble breath,

Murmuring low in death,

"Tell to our sons how their fathers have died;"

Nerveless the iron hand,

Raised for its native land,

Lies by the weapon that gleams at its side.

Over the hillsides the wild knell is tolling,

From their far hamlets the yeomanry come;

As through the storm-clouds the thunder-burst rolling,

Circles the beat of the mustering drum.

Fast on the soldier's path

Darken the waves of wrath,—

Long have they gathered and loud shall they fall;

Red glares the musket's flash,

Sharp rings the rifle's crash,

Blazing and clanging from thicket and wall.

Gayly the plume of the horseman was dancing,

Never to shadow his cold brow again;

Proudly at morning the war-steed was prancing,

Reeking and panting he droops on the rein;

Pale is the lip of scorn,

Voiceless the trumpet horn,

Torn is the silken-fringed red cross on high;

Many a belted breast

Low on the turf shall rest

Ere the dark hunters the herd have passed by.

Snow-girdled crags where the hoarse wind is raving,

Rocks where the weary floods murmur and wail,

Wilds where the fern by the furrow is waving,

Reeled with the echoes that rode on the gale;

Far as the tempest thrills

Over the darkened hills,

Far as the sunshine streams over the plain,

Roused by the tyrant band,

Woke all the mighty land,

Girded for battle, from mountain to main.

Green be the graves where her martyrs are lying!

Shroudless and tombless they sunk to their rest,

While o'er their ashes the starry fold flying

Wraps the proud eagle they roused from his nest.

Borne on her Northern pine,

Long o'er the foaming brine

Spread her broad banner to storm and to sun;

Heaven keep her ever free,

Wide as o'er land and sea

Floats the fair emblem her heroes have won.

ON LENDING A PUNCH-BOWL

This "punch-bowl" was, according to old family tradition, a caudle-cup. It is a massive piece of silver, its cherubs and other ornaments of coarse repousse work, and has two handles like a loving-cup, by which it was held, or passed from guest to guest.

THIS ancient silver bowl of mine, it tells of good old times,

Of joyous days and jolly nights, and merry Christmas times;

They were a free and jovial race, but honest, brave, and true,

Who dipped their ladle in the punch when this old bowl was new.

A Spanish galleon brought the bar,—so runs the ancient tale;

'T was hammered by an Antwerp smith, whose arm was like a flail;

And now and then between the strokes, for fear his strength should fail,

He wiped his brow and quaffed a cup of good old Flemish ale.

'T was purchased by an English squire to please his loving dame,

Who saw the cherubs, and conceived a longing for the same;

And oft as on the ancient stock another twig was found,

'T was filled with candle spiced and hot, and handed smoking round.

But, changing hands, it reached at length a Puritan divine,

Who used to follow Timothy, and take a little wine,

But hated punch and prelacy; and so it was, perhaps,

He went to Leyden, where he found conventicles and schnapps.

And then, of course, you know what's next: it left the Dutchman's shore

With those that in the Mayflower came,—a hundred souls and more,—

Along with all the furniture, to fill their new abodes,—

To judge by what is still on hand, at least a hundred loads.

'T was on a dreary winter's eve, the night was closing, dim,

When brave Miles Standish took the bowl, and filled it to the brim;

The little Captain stood and stirred the posset with his sword,

And all his sturdy men-at-arms were ranged about the board.

He poured the fiery Hollands in,—the man that never feared,—

He took a long and solemn draught, and wiped his yellow beard;

And one by one the musketeers—the men that fought and prayed—

All drank as 't were their mother's milk, and not a man afraid.

That night, affrighted from his nest, the screaming eagle flew,

He heard the Pequot's ringing whoop, the soldier's wild halloo;

And there the sachem learned the rule he taught to kith and kin,

Run from the white man when you find he smells of "Hollands gin!"

A hundred years, and fifty more, had spread their leaves and snows,

A thousand rubs had flattened down each little cherub's nose,

When once again the bowl was filled, but not in mirth or joy,—

'T was mingled by a mother's hand to cheer her parting boy.

Drink, John, she said, 't will do you good,—poor child,

you'll never bear

This working in the dismal trench, out in the midnight air;

And if—God bless me!—you were hurt, 't would keep away the chill.

So John did drink,—and well he wrought that night at Bunker's Hill!

I tell you, there was generous warmth in good old English cheer;

I tell you, 't was a pleasant thought to bring its symbol here.

'T is but the fool that loves excess; hast thou a drunken soul?

Thy bane is in thy shallow skull, not in my silver bowl!

I love the memory of the past,—its pressed yet fragrant flowers,—

The moss that clothes its broken walls, the ivy on its towers;

Nay, this poor bauble it bequeathed,—my eyes grow moist and dim,

To think of all the vanished joys that danced around its brim.

Then fill a fair and honest cup, and bear it straight to me;

The goblet hallows all it holds, whate'er the liquid be;

And may the cherubs on its face protect me from the sin

That dooms one to those dreadful words,—"My dear, where HAVE you been?"

A SONG

FOR THE CENTENNIAL CELEBRATION OF HARVARD COLLEGE, 1836

This song, which I had the temerity to sing myself (felix auda-cia, Mr. Franklin Dexter had the goodness to call it), was sent in a little too late to be printed with the official account of the celebration. It was written at the suggestion of Dr. Jacob Bigelow, who thought the popular tune "The Poacher's Song" would be a good model for a lively ballad or ditty. He himself wrote the admirable Latin song to be found in the record of the meeting.

WHEN the Puritans came over

Our hills and swamps to clear,

The woods were full of catamounts,

And Indians red as deer,

With tomahawks and scalping-knives,

That make folks' heads look queer;

Oh the ship from England used to bring

A hundred wigs a year!

The crows came cawing through the air

To pluck the Pilgrims' corn,

The bears came snuffing round the door

Whene'er a babe was born,

The rattlesnakes were bigger round

Than the but of the old rams horn

The deacon blew at meeting time

On every "Sabbath" morn.

But soon they knocked the wigwams down,

And pine-tree trunk and limb

Began to sprout among the leaves

In shape of steeples slim;

And out the little wharves were stretched

Along the ocean's rim,

And up the little school-house shot

To keep the boys in trim.

And when at length the College rose,

The sachem cocked his eye

At every tutor's meagre ribs

Whose coat-tails whistled by

But when the Greek and Hebrew words

Came tumbling from his jaws,

The copper-colored children all

Ran screaming to the squaws.

And who was on the Catalogue

When college was begun?

Two nephews of the President,

And the Professor's son;

(They turned a little Indian by,

As brown as any bun;)

Lord! how the seniors knocked about

The freshman class of one!

They had not then the dainty things

That commons now afford,

But succotash and hominy

Were smoking on the board;

They did not rattle round in gigs,

Or dash in long-tailed blues,

But always on Commencement days

The tutors blacked their shoes.

God bless the ancient Puritans!

Their lot was hard enough;

But honest hearts make iron arms,

And tender maids are tough;

So love and faith have formed and fed

Our true-born Yankee stuff,

And keep the kernel in the shell

The British found so rough!

THE ISLAND HUNTING-SONG

The island referred to is a domain of princely proportions, which has long been the seat of a generous hospitality. Naushon is its old Indian name. William Swain, Esq., commonly known as "the Governor," was the proprietor of it at the time when this song was written. Mr. John M. Forbes is his worthy successor in territorial rights and as a hospitable entertainer. The Island Book has been the recipient of many poems from visitors and friends of the owners of the old mansion.

No more the summer floweret charms,

The leaves will soon be sere,

And Autumn folds his jewelled arms

Around the dying year;

So, ere the waning seasons claim

Our leafless groves awhile,

With golden wine and glowing flame

We 'll crown our lonely isle.

Once more the merry voices sound

Within the antlered hall,

And long and loud the baying hounds

Return the hunter's call;

And through the woods, and o'er the hill,

And far along the bay,

The driver's horn is sounding shrill,—

Up, sportsmen, and away!

No bars of steel or walls of stone

Our little empire bound,

But, circling with his azure zone,

The sea runs foaming round;

The whitening wave, the purpled skies,

The blue and lifted shore,

Braid with their dim and blending dyes

Our wide horizon o'er.

And who will leave the grave debate

That shakes the smoky town,

To rule amid our island-state,

And wear our oak-leaf crown?

And who will be awhile content

To hunt our woodland game,

And leave the vulgar pack that scent

The reeking track of fame?

Ah, who that shares in toils like these

Will sigh not to prolong

Our days beneath the broad-leaved trees,

Our nights of mirth and song?

Then leave the dust of noisy streets,

Ye outlaws of the wood,

And follow through his green retreats

Your noble Robin Hood.

DEPARTED DAYS

YES, dear departed, cherished days,

Could Memory's hand restore

Your morning light, your evening rays,

From Time's gray urn once more,

Then might this restless heart be still,

This straining eye might close,

And Hope her fainting pinions fold,

While the fair phantoms rose.

But, like a child in ocean's arms,

We strive against the stream,

Each moment farther from the shore

Where life's young fountains gleam;

Each moment fainter wave the fields,

And wider rolls the sea;

The mist grows dark,—the sun goes down,—

Day breaks,—and where are we?

THE ONLY DAUGHTER

ILLUSTRATION OF A PICTURE

THEY bid me strike the idle strings,

As if my summer days

Had shaken sunbeams from their wings

To warm my autumn lays;

They bring to me their painted urn,

As if it were not time

To lift my gauntlet and to spurn

The lists of boyish rhyme;

And were it not that I have still

Some weakness in my heart

That clings around my stronger will

And pleads for gentler art,

Perchance I had not turned away

The thoughts grown tame with toil,

To cheat this lone and pallid ray,

That wastes the midnight oil.

Alas! with every year I feel

Some roses leave my brow;

Too young for wisdom's tardy seal,

Too old for garlands now.

Yet, while the dewy breath of spring

Steals o'er the tingling air,

And spreads and fans each emerald wing

The forest soon shall wear.

How bright the opening year would seem,

Had I one look like thine

To meet me when the morning beam

Unseals these lids of mine!

Too long I bear this lonely lot,

That bids my heart run wild

To press the lips that love me not,

To clasp the stranger's child.

How oft beyond the dashing seas,

Amidst those royal bowers,

Where danced the lilacs in the breeze,

And swung the chestnut-flowers,

I wandered like a wearied slave

Whose morning task is done,

To watch the little hands that gave

Their whiteness to the sun;

To revel in the bright young eyes,

Whose lustre sparkled through

The sable fringe of Southern skies

Or gleamed in Saxon blue!

How oft I heard another's name

Called in some truant's tone;

Sweet accents! which I longed to claim,

To learn and lisp my own!

Too soon the gentle hands, that pressed

The ringlets of the child,

Are folded on the faithful breast

Where first he breathed and smiled;

Too oft the clinging arms untwine,

The melting lips forget,

And darkness veils the bridal shrine

Where wreaths and torches met;

If Heaven but leaves a single thread

Of Hope's dissolving chain,

Even when her parting plumes are spread,

It bids them fold again;

The cradle rocks beside the tomb;

The cheek now changed and chill

Smiles on us in the morning bloom

Of one that loves us still.

Sweet image! I have done thee wrong

To claim this destined lay;

The leaf that asked an idle song

Must bear my tears away.

Yet, in thy memory shouldst thou keep

This else forgotten strain,

Till years have taught thine eyes to weep,

And flattery's voice is vain;

Oh then, thou fledgling of the nest,

Like the long-wandering dove,

Thy weary heart may faint for rest,

As mine, on changeless love;

And while these sculptured lines retrace

The hours now dancing by,

This vision of thy girlish grace

May cost thee, too, a sigh.

SONG

WRITTEN FOR THE DINNER GIVEN TO CHARLES DICKENS BY THE YOUNG MEN OF BOSTON, FEBRUARY 1, 1842

THE stars their early vigils keep,

The silent hours are near,

When drooping eyes forget to weep,—

Yet still we linger here;

And what—the passing churl may ask—

Can claim such wondrous power,

That Toil forgets his wonted task,

And Love his promised hour?

The Irish harp no longer thrills,

Or breathes a fainter tone;

The clarion blast from Scotland's hills,

Alas! no more is blown;

And Passion's burning lip bewails

Her Harold's wasted fire,

Still lingering o'er the dust that veils

The Lord of England's lyre.

But grieve not o'er its broken strings,

Nor think its soul hath died,

While yet the lark at heaven's gate sings,

As once o'er Avon's side;

While gentle summer sheds her bloom,

And dewy blossoms wave,

Alike o'er Juliet's storied tomb

And Nelly's nameless grave.

Thou glorious island of the sea!

Though wide the wasting flood

That parts our distant land from thee,

We claim thy generous blood;

Nor o'er thy far horizon springs

One hallowed star of fame,

But kindles, like an angel's wings,

Our western skies in flame!

LINES

RECITED AT THE BERKSHIRE JUBILEE, PITTSFIELD, MASS., AUGUST 23, 1844

COME back to your mother, ye children, for shame,

Who have wandered like truants for riches or fame!

With a smile on her face, and a sprig in her cap,

She calls you to feast from her bountiful lap.

Come out from your alleys, your courts, and your lanes,

And breathe, like young eagles, the air of our plains;

Take a whiff from our fields, and your excellent wives

Will declare it 's all nonsense insuring your lives.

Come you of the law, who can talk, if you please,

Till the man in the moon will allow it's a cheese,

And leave "the old lady, that never tells lies,"

To sleep with her handkerchief over her eyes.

Ye healers of men, for a moment decline

Your feats in the rhubarb and ipecac line;

While you shut up your turnpike, your neighbors can go

The old roundabout road to the regions below.

You clerk, on whose ears are a couple of pens,

And whose head is an ant-hill of units and tens,

Though Plato denies you, we welcome you still

As a featherless biped, in spite of your quill.

Poor drudge of the city! how happy he feels,

With the burs on his legs and the grass at his heels

No dodger behind, his bandannas to share,

No constable grumbling, "You must n't walk there!"

In yonder green meadow, to memory dear,

He slaps a mosquito and brushes a tear;

The dew-drops hang round him on blossoms and shoots,

He breathes but one sigh for his youth and his boots.

There stands the old school-house, hard by the old church;

That tree at its side had the flavor of birch;

Oh, sweet were the days of his juvenile tricks,

Though the prairie of youth had so many "big licks."

By the side of yon river he weeps and he slumps,

The boots fill with water, as if they were pumps,

Till, sated with rapture, he steals to his bed,

With a glow in his heart and a cold in his head.

'T is past,—he is dreaming,—I see him again;

The ledger returns as by legerdemain;

His neckcloth is damp with an easterly flaw,

And he holds in his fingers an omnibus straw.

He dreams the chill gust is a blossomy gale,

That the straw is a rose from his dear native vale;

And murmurs, unconscious of space and of time,

"A 1. Extra super. Ah, is n't it PRIME!"

Oh, what are the prizes we perish to win

To the first little "shiner" we caught with a pin!

No soil upon earth is so dear to our eyes

As the soil we first stirred in terrestrial pies!

Then come from all parties and parts to our feast;

Though not at the "Astor," we'll give you at least

A bite at an apple, a seat on the grass,

And the best of old—water—at nothing a glass.

NUX POSTCOENATICA

I WAS sitting with my microscope, upon my parlor rug,

With a very heavy quarto and a very lively bug;

The true bug had been organized with only two antennae,

But the humbug in the copperplate would have them twice as many.

And I thought, like Dr. Faustus, of the emptiness of art,

How we take a fragment for the whole, and call the whole a part,

When I heard a heavy footstep that was loud enough for two,

And a man of forty entered, exclaiming, "How d' ye do?"

He was not a ghost, my visitor, but solid flesh and bone;

He wore a Palo Alto hat, his weight was twenty stone;

(It's odd how hats expand their brims as riper years invade,

As if when life had reached its noon it wanted them for shade!)

I lost my focus,—dropped my book,—the bug, who was a flea,

At once exploded, and commenced experiments on me.

They have a certain heartiness that frequently appalls,—

Those mediaeval gentlemen in semilunar smalls!

"My boy," he said, (colloquial ways,—the vast, broad-hatted man,)

"Come dine with us on Thursday next,—you must, you know you can;

We're going to have a roaring time, with lots of fun and noise,

Distinguished guests, et cetera, the JUDGE, and all the boys."

Not so,—I said,—my temporal bones are showing pretty clear.

It 's time to stop,—just look and see that hair above this ear;

My golden days are more than spent,—and, what is very strange,

If these are real silver hairs, I'm getting lots of change.

Besides—my prospects—don't you know that people won't employ

A man that wrongs his manliness by laughing like a boy?

And suspect the azure blossom that unfolds upon a shoot,

As if wisdom's old potato could not flourish at its root?

It's a very fine reflection, when you 're etching out a smile

On a copperplate of faces that would stretch at least a mile,

That, what with sneers from enemies and cheapening shrugs of friends,

It will cost you all the earnings that a month of labor lends!

It's a vastly pleasing prospect, when you're screwing out a laugh,

That your very next year's income is diminished by a half,

And a little boy trips barefoot that Pegasus may go,

And the baby's milk is watered that your Helicon may flow!

No;—the joke has been a good one,—but I'm getting fond of quiet,

And I don't like deviations from my customary diet;

So I think I will not go with you to hear the toasts and speeches,

But stick to old Montgomery Place, and have some pig and peaches.

The fat man answered: Shut your mouth, and hear the genuine creed;

The true essentials of a feast are only fun and feed;

The force that wheels the planets round delights in spinning tops,

And that young earthquake t' other day was great at shaking props.

I tell you what, philosopher, if all the longest heads

That ever knocked their sinciputs in stretching on their beds

Were round one great mahogany, I'd beat those fine old folks

With twenty dishes, twenty fools, and twenty clever jokes!

Why, if Columbus should be there, the company would beg

He'd show that little trick of his of balancing the egg!

Milton to Stilton would give in, and Solomon to Salmon,

And Roger Bacon be a bore, and Francis Bacon gammon!

And as for all the "patronage" of all the clowns and boors

That squint their little narrow eyes at any freak of yours,

Do leave them to your prosier friends,—such fellows ought to die

When rhubarb is so very scarce and ipecac so high!

And so I come,—like Lochinvar, to tread a single measure,—

To purchase with a loaf of bread a sugar-plum of pleasure,

To enter for the cup of glass that's run for after dinner,

Which yields a single sparkling draught,

then breaks and cuts the winner.

Ah, that's the way delusion comes,—a glass of old Madeira,

A pair of visual diaphragms revolved by Jane or Sarah,

And down go vows and promises without the slightest question

If eating words won't compromise the organs of digestion!

And yet, among my native shades, beside my nursing mother,

Where every stranger seems a friend, and every friend a brother,

I feel the old convivial glow (unaided) o'er me stealing,—

The warm, champagny, the old-particular brandy-punchy feeling.

We're all alike;—Vesuvius flings the scoriae from his fountain,

But down they come in volleying rain back to the burning mountain;

We leave, like those volcanic stones, our precious Alma Mater,

But will keep dropping in again to see the dear old crater.

VERSES FOR AFTER-DINNER PHI BETA KAPPA SOCIETY, 1844

I WAS thinking last night, as I sat in the cars,

With the charmingest prospect of cinders and stars,

Next Thursday is—bless me!—how hard it will be,

If that cannibal president calls upon me!

There is nothing on earth that he will not devour,

From a tutor in seed to a freshman in flower;

No sage is too gray, and no youth is too green,

And you can't be too plump, though you're never too lean.

While others enlarge on the boiled and the roast,

He serves a raw clergyman up with a toast,

Or catches some doctor, quite tender and young,

And basely insists on a bit of his tongue.

Poor victim, prepared for his classical spit,

With a stuffing of praise and a basting of wit,

You may twitch at your collar and wrinkle your brow,

But you're up on your legs, and you're in for it now.

Oh think of your friends,—they are waiting to hear

Those jokes that are thought so remarkably queer;

And all the Jack Horners of metrical buns

Are prying and fingering to pick out the puns.

Those thoughts which, like chickens, will always thrive best

When reared by the heat of the natural nest,

Will perish if hatched from their embryo dream

In the mist and the glow of convivial steam.

Oh pardon me, then, if I meekly retire,

With a very small flash of ethereal fire;

No rubbing will kindle your Lucifer match,

If the fiz does not follow the primitive scratch.

Dear friends, who are listening so sweetly the while,

With your lips double—reefed in a snug little smile,

I leave you two fables, both drawn from the deep,—

The shells you can drop, but the pearls you may keep.

. . . . . . . . . . .

The fish called the FLOUNDER, perhaps you may know,

Has one side for use and another for show;

One side for the public, a delicate brown,

And one that is white, which he always keeps down.

A very young flounder, the flattest of flats,

(And they 're none of them thicker than opera hats,)

Was speaking more freely than charity taught

Of a friend and relation that just had been caught.

"My! what an exposure! just see what a sight!

I blush for my race,—he is showing his white

Such spinning and wriggling,—why, what does he wish?

How painfully small to respectable fish!"

Then said an Old SCULPIN,—"My freedom excuse,

You're playing the cobbler with holes in your shoes;

Your brown side is up,—but just wait till you're tried

And you'll find that all flounders are white on one side."

. . . . . . . . . .

There's a slice near the PICKEREL'S pectoral fins,

Where the thorax leaves off and the venter begins,

Which his brother, survivor of fish-hooks and lines,

Though fond of his family, never declines.

He loves his relations; he feels they'll be missed;

But that one little tidbit he cannot resist;

So your bait may be swallowed, no matter how fast,

For you catch your next fish with a piece of the last.

And thus, O survivor, whose merciless fate

Is to take the next hook with the president's bait,

You are lost while you snatch from the end of his line

The morsel he rent from this bosom of mine!

A MODEST REQUEST

COMPLIED WITH AFTER THE DINNER AT PRESIDENT EVERETT'S INAUGURATION

SCENE,—a back parlor in a certain square, Or court, or lane,—in short, no matter where; Time,—early morning, dear to simple souls Who love its sunshine and its fresh-baked rolls; Persons,—take pity on this telltale blush, That, like the AEthiop, whispers, "Hush, oh hush!"

Delightful scene! where smiling comfort broods,

Nor business frets, nor anxious care intrudes;

O si sic omnia I were it ever so!

But what is stable in this world below?

Medio e fonte,—Virtue has her faults,—

The clearest fountains taste of Epsom salts;

We snatch the cup and lift to drain it dry,—

Its central dimple holds a drowning fly

Strong is the pine by Maine's ambrosial streams,

But stronger augers pierce its thickest beams;

No iron gate, no spiked and panelled door,

Can keep out death, the postman, or the bore.

Oh for a world where peace and silence reign,

And blunted dulness verebrates in vain!

—The door-bell jingles,—enter Richard Fox,

And takes this letter from his leathern box.

"Dear Sir,—

In writing on a former day,

One little matter I forgot to say;

I now inform you in a single line,

On Thursday next our purpose is to dine.

The act of feeding, as you understand,

Is but a fraction of the work in hand;

Its nobler half is that ethereal meat

The papers call 'the intellectual treat;'

Songs, speeches, toasts, around the festive board

Drowned in the juice the College pumps afford;

For only water flanks our knives and forks,

So, sink or float, we swim without the corks.

Yours is the art, by native genius taught,

To clothe in eloquence the naked thought;

Yours is the skill its music to prolong

Through the sweet effluence of mellifluous song;

Yours the quaint trick to cram the pithy line

That cracks so crisply over bubbling wine;

And since success your various gifts attends,

We—that is, I and all your numerous friends—

Expect from you—your single self a host—

A speech, a song, excuse me, and a toast;

Nay, not to haggle on so small a claim,

A few of each, or several of the same.

(Signed), Yours, most truly, ________"

No! my sight must fail,—

If that ain't Judas on the largest scale!

Well, this is modest;—nothing else than that?

My coat? my boots? my pantaloons? my hat?

My stick? my gloves? as well as all my wits,

Learning and linen,—everything that fits!

Jack, said my lady, is it grog you'll try,

Or punch, or toddy, if perhaps you're dry?

Ah, said the sailor, though I can't refuse,

You know, my lady, 't ain't for me to choose;

I'll take the grog to finish off my lunch,

And drink the toddy while you mix the punch.

. . . . . . . .

THE SPEECH. (The speaker, rising to be seen,

Looks very red, because so very green.)

I rise—I rise—with unaffected fear,

(Louder!—speak louder!—who the deuce can hear?)

I rise—I said—with undisguised dismay

—Such are my feelings as I rise, I say

Quite unprepared to face this learned throng,

Already gorged with eloquence and song;

Around my view are ranged on either hand

The genius, wisdom, virtue of the land;

"Hands that the rod of empire might have swayed"

Close at my elbow stir their lemonade;

Would you like Homer learn to write and speak,

That bench is groaning with its weight of Greek;

Behold the naturalist who in his teens

Found six new species in a dish of greens;

And lo, the master in a statelier walk,

Whose annual ciphering takes a ton of chalk;

And there the linguist, who by common roots

Thro' all their nurseries tracks old Noah's shoots,—

How Shem's proud children reared the Assyrian piles,

While Ham's were scattered through the Sandwich Isles!

—Fired at the thought of all the present shows,

My kindling fancy down the future flows:

I see the glory of the coming days

O'er Time's horizon shoot its streaming rays;

Near and more near the radiant morning draws

In living lustre (rapturous applause);

From east to west the blazing heralds run,

Loosed from the chariot of the ascending sun,

Through the long vista of uncounted years

In cloudless splendor (three tremendous cheers).

My eye prophetic, as the depths unfold,

Sees a new advent of the age of gold;

While o'er the scene new generations press,

New heroes rise the coming time to bless,—

Not such as Homer's, who, we read in Pope,

Dined without forks and never heard of soap,—

Not such as May to Marlborough Chapel brings,

Lean, hungry, savage, anti-everythings,

Copies of Luther in the pasteboard style,—

But genuine articles, the true Carlyle;

While far on high the blazing orb shall shed

Its central light on Harvard's holy head,

And learning's ensigns ever float unfurled

Here in the focus of the new-born world

The speaker stops, and, trampling down the pause,

Roars through the hall the thunder of applause,

One stormy gust of long-suspended Ahs!

One whirlwind chaos of insane hurrahs!

. . . . . . . .

THE SONG. But this demands a briefer line,—

A shorter muse, and not the old long Nine;

Long metre answers for a common song,

Though common metre does not answer long.

She came beneath the forest dome

To seek its peaceful shade,

An exile from her ancient home,

A poor, forsaken maid;

No banner, flaunting high above,

No blazoned cross, she bore;

One holy book of light and love

Was all her worldly store.

The dark brown shadows passed away,

And wider spread the green,

And where the savage used to stray

The rising mart was seen;

So, when the laden winds had brought

Their showers of golden rain,

Her lap some precious gleanings caught,

Like Ruth's amid the grain.

But wrath soon gathered uncontrolled

Among the baser churls,

To see her ankles red with gold,

Her forehead white with pearls.

"Who gave to thee the glittering bands

That lace thine azure veins?

Who bade thee lift those snow-white hands

We bound in gilded chains?"

"These are the gems my children gave,"

The stately dame replied;

"The wise, the gentle, and the brave,

I nurtured at my side.

If envy still your bosom stings,

Take back their rims of gold;

My sons will melt their wedding-rings,

And give a hundred-fold!"

. . . . . . . .

THE TOAST. Oh tell me, ye who thoughtless ask

Exhausted nature for a threefold task,

In wit or pathos if one share remains,

A safe investment for an ounce of brains!

Hard is the job to launch the desperate pun,

A pun-job dangerous as the Indian one.

Turned by the current of some stronger wit

Back from the object that you mean to hit,

Like the strange missile which the Australian throws,

Your verbal boomerang slaps you on the nose.

One vague inflection spoils the whole with doubt,

One trivial letter ruins all, left out;

A knot can choke a felon into clay,

A not will save him, spelt without the k;

The smallest word has some unguarded spot,

And danger lurks in i without a dot.

Thus great Achilles, who had shown his zeal

In healing wounds, died of a wounded heel;

Unhappy chief, who, when in childhood doused,

Had saved his bacon had his feet been soused

Accursed heel that killed a hero stout

Oh, had your mother known that you were out,

Death had not entered at the trifling part

That still defies the small chirurgeon's art

With corns and bunions,—not the glorious John,

Who wrote the book we all have pondered on,

But other bunions, bound in fleecy hose,

To "Pilgrim's Progress" unrelenting foes!

. . . . . . . .

A HEALTH, unmingled with the reveller's wine,

To him whose title is indeed divine;

Truth's sleepless watchman on her midnight tower,

Whose lamp burns brightest when the tempests lower.

Oh, who can tell with what a leaden flight

Drag the long watches of his weary night,

While at his feet the hoarse and blinding gale

Strews the torn wreck and bursts the fragile sail,

When stars have faded, when the wave is dark,

When rocks and sands embrace the foundering bark!

But still he pleads with unavailing cry,

Behold the light, O wanderer, look or die!

A health, fair Themis! Would the enchanted vine

Wreathed its green tendrils round this cup of thine!

If Learning's radiance fill thy modern court,

Its glorious sunshine streams through Blackstone's port.

Lawyers are thirsty, and their clients too,

Witness at least, if memory serve me true,

Those old tribunals, famed for dusty suits,

Where men sought justice ere they brushed their boots;

And what can match, to solve a learned doubt,

The warmth within that comes from "cold with-out"?

Health to the art whose glory is to give

The crowning boon that makes it life to live.

Ask not her home;—the rock where nature flings

Her arctic lichen, last of living things;

The gardens, fragrant with the orient's balm,

From the low jasmine to the star-like palm,

Hail her as mistress o'er the distant waves,

And yield their tribute to her wandering slaves.

Wherever, moistening the ungrateful soil,

The tear of suffering tracks the path of toil,

There, in the anguish of his fevered hours,

Her gracious finger points to healing flowers;

Where the lost felon steals away to die,

Her soft hand waves before his closing eye;

Where hunted misery finds his darkest lair,

The midnight taper shows her kneeling there!

VIRTUE,—the guide that men and nations own;

And LAW,—the bulwark that protects her throne;

And HEALTH,—to all its happiest charm that lends;

These and their servants, man's untiring friends

Pour the bright lymph that Heaven itself lets fall,

In one fair bumper let us toast them all!

THE PARTING WORD

I MUST leave thee, lady sweet

Months shall waste before we meet;

Winds are fair and sails are spread,

Anchors leave their ocean bed;

Ere this shining day grow dark,

Skies shall gird my shoreless bark.

Through thy tears, O lady mine,

Read thy lover's parting line.

When the first sad sun shall set,

Thou shalt tear thy locks of jet;

When the morning star shall rise,

Thou shalt wake with weeping eyes;

When the second sun goes down,

Thou more tranquil shalt be grown,

Taught too well that wild despair

Dims thine eyes and spoils thy hair.

All the first unquiet week

Thou shalt wear a smileless cheek;

In the first month's second half

Thou shalt once attempt to laugh;

Then in Pickwick thou shalt dip,

Slightly puckering round the lip,

Till at last, in sorrow's spite,

Samuel makes thee laugh outright.

While the first seven mornings last,

Round thy chamber bolted fast

Many a youth shall fume and pout,

"Hang the girl, she's always out!"

While the second week goes round,

Vainly shall they ring and pound;

When the third week shall begin,

"Martha, let the creature in."

Now once more the flattering throng

Round thee flock with smile and song,

But thy lips, unweaned as yet,

Lisp, "Oh, how can I forget!"

Men and devils both contrive

Traps for catching girls alive;

Eve was duped, and Helen kissed,—

How, oh how can you resist?

First be careful of your fan,

Trust it not to youth or man;

Love has filled a pirate's sail

Often with its perfumed gale.

Mind your kerchief most of all,

Fingers touch when kerchiefs fall;

Shorter ell than mercers clip

Is the space from hand to lip.

Trust not such as talk in tropes,

Full of pistols, daggers, ropes;

All the hemp that Russia bears

Scarce would answer lovers' prayers;

Never thread was spun so fine,

Never spider stretched the line,

Would not hold the lovers true

That would really swing for you.

Fiercely some shall storm and swear,

Beating breasts in black despair;

Others murmur with a sigh,

You must melt, or they will die:

Painted words on empty lies,

Grubs with wings like butterflies;

Let them die, and welcome, too;

Pray what better could they do?

Fare thee well: if years efface

From thy heart love's burning trace,

Keep, oh keep that hallowed seat

From the tread of vulgar feet;

If the blue lips of the sea

Wait with icy kiss for me,

Let not thine forget the vow,

Sealed how often, Love, as now.

A SONG OF OTHER DAYS

As o'er the glacier's frozen sheet

Breathes soft the Alpine rose,

So through life's desert springing sweet

The flower of friendship grows;

And as where'er the roses grow

Some rain or dew descends,

'T is nature's law that wine should flow

To wet the lips of friends.

Then once again, before we part,

My empty glass shall ring;

And he that has the warmest heart

Shall loudest laugh and sing.

They say we were not born to eat;

But gray-haired sages think

It means, Be moderate in your meat,

And partly live to drink.

For baser tribes the rivers flow

That know not wine or song;

Man wants but little drink below,

But wants that little strong.

Then once again, etc.

If one bright drop is like the gem

That decks a monarch's crown,

One goblet holds a diadem

Of rubies melted down!

A fig for Caesar's blazing brow,

But, like the Egyptian queen,

Bid each dissolving jewel glow

My thirsty lips between.

Then once again, etc.

The Grecian's mound, the Roman's urn,

Are silent when we call,

Yet still the purple grapes return

To cluster on the wall;

It was a bright Immortal's head

They circled with the vine,

And o'er their best and bravest dead

They poured the dark-red wine.

Then once again, etc.

Methinks o'er every sparkling glass

Young Eros waves his wings,

And echoes o'er its dimples pass

From dead Anacreon's strings;

And, tossing round its beaded brim

Their locks of floating gold,

With bacchant dance and choral hymn

Return the nymphs of old.

Then once again, etc.

A welcome then to joy and mirth,

From hearts as fresh as ours,

To scatter o'er the dust of earth

Their sweetly mingled flowers;

'T is Wisdom's self the cup that fills

In spite of Folly's frown,

And Nature, from her vine-clad hills,

That rains her life-blood down!

Then once again, before we part,

My empty glass shall ring;

And he that has the warmest heart

Shall loudest laugh and sing.

SONG

FOR A TEMPERANCE DINNER TO WHICH LADIES WERE INVITED (NEW YORK MERCANTILE LIBRARY ASSOCIATION, NOVEMBER, 1842)

A HEALTH to dear woman! She bids us untwine,

From the cup it encircles, the fast-clinging vine;

But her cheek in its crystal with pleasure will glow,

And mirror its bloom in the bright wave below.

A health to sweet woman! The days are no more

When she watched for her lord till the revel was o'er,

And smoothed the white pillow, and blushed when he came,

As she pressed her cold lips on his forehead of flame.

Alas for the loved one! too spotless and fair

The joys of his banquet to chasten and share;

Her eye lost its light that his goblet might shine,

And the rose of her cheek was dissolved in his wine.

Joy smiles in the fountain, health flows in the rills,

As their ribbons of silver unwind from the hills;

They breathe not the mist of the bacchanal's dream,

But the lilies of innocence float on their stream.

Then a health and a welcome to woman once more!

She brings us a passport that laughs at our door;

It is written on crimson,—its letters are pearls,—

It is countersigned Nature.—So, room for the Girls!

A SENTIMENT

THE pledge of Friendship! it is still divine,

Though watery floods have quenched its burning wine;

Whatever vase the sacred drops may hold,

The gourd, the shell, the cup of beaten gold,

Around its brim the hand of Nature throws

A garland sweeter than the banquet's rose.

Bright are the blushes of the vine-wreathed bowl,

Warm with the sunshine of Anacreon's soul,

But dearer memories gild the tasteless wave

That fainting Sidney perished as he gave.

'T is the heart's current lends the cup its glow,

Whate'er the fountain whence the draught may flow,—

The diamond dew-drops sparkling through the sand,

Scooped by the Arab in his sunburnt hand,

Or the dark streamlet oozing from the snow,

Where creep and crouch the shuddering Esquimaux;

Ay, in the stream that, ere again we meet,

Shall burst the pavement, glistening at our feet,

And, stealing silent from its leafy hills,

Thread all our alleys with its thousand rills,—

In each pale draught if generous feeling blend,

And o'er the goblet friend shall smile on friend,

Even cold Cochituate every heart shall warm,

And genial Nature still defy reform!

A RHYMED LESSON (URANIA)

This poem was delivered before the Boston Mercantile Library

Association, October 14, 1846.

YES, dear Enchantress,—wandering far and long,

In realms unperfumed by the breath of song,

Where flowers ill-flavored shed their sweets around,

And bitterest roots invade the ungenial ground,

Whose gems are crystals from the Epsom mine,

Whose vineyards flow with antimonial wine,

Whose gates admit no mirthful feature in,

Save one gaunt mocker, the Sardonic grin,

Whose pangs are real, not the woes of rhyme

That blue-eyed misses warble out of time;—

Truant, not recreant to thy sacred claim,

Older by reckoning, but in heart the same,

Freed for a moment from the chains of toil,

I tread once more thy consecrated soil;

Here at thy feet my old allegiance own,

Thy subject still, and loyal to thy throne!

My dazzled glance explores the crowded hall;

Alas, how vain to hope the smiles of all!

I know my audience. All the gay and young

Love the light antics of a playful tongue;

And these, remembering some expansive line

My lips let loose among the nuts and wine,

Are all impatience till the opening pun

Proclaims the witty shamfight is begun.

Two fifths at least, if not the total half,

Have come infuriate for an earthquake laugh;

I know full well what alderman has tied

His red bandanna tight about his side;

I see the mother, who, aware that boys

Perform their laughter with superfluous noise,

Beside her kerchief brought an extra one

To stop the explosions of her bursting son;

I know a tailor, once a friend of mine,

Expects great doings in the button line,—

For mirth's concussions rip the outward case,

And plant the stitches in a tenderer place.

I know my audience,—these shall have their due;

A smile awaits them ere my song is through!

I know myself. Not servile for applause,

My Muse permits no deprecating clause;

Modest or vain, she will not be denied

One bold confession due to honest pride;

And well she knows the drooping veil of song

Shall save her boldness from the caviller's wrong.

Her sweeter voice the Heavenly Maid imparts

To tell the secrets of our aching hearts

For this, a suppliant, captive, prostrate, bound,

She kneels imploring at the feet of sound;

For this, convulsed in thought's maternal pains,

She loads her arms with rhyme's resounding chains;

Faint though the music of her fetters be,

It lends one charm,—her lips are ever free!

Think not I come, in manhood's fiery noon,

To steal his laurels from the stage buffoon;

His sword of lath the harlequin may wield;

Behold the star upon my lifted shield

Though the just critic pass my humble name,

And sweeter lips have drained the cup of fame,

While my gay stanza pleased the banquet's lords,

The soul within was tuned to deeper chords!

Say, shall my arms, in other conflicts taught

To swing aloft the ponderous mace of thought,

Lift, in obedience to a school-girl's law,

Mirth's tinsel wand or laughter's tickling straw?

Say, shall I wound with satire's rankling spear

The pure, warm hearts that bid me welcome here?

No! while I wander through the land of dreams,

To strive with great and play with trifling themes,

Let some kind meaning fill the varied line.

You have your judgment; will you trust to mine?

. . . . . . . . . .

Between two breaths what crowded mysteries lie,—

The first short gasp, the last and long-drawn sigh!

Like phantoms painted on the magic slide,

Forth from the darkness of the past we glide,

As living shadows for a moment seen

In airy pageant on the eternal screen,

Traced by a ray from one unchanging flame,

Then seek the dust and stillness whence we came.

But whence and why, our trembling souls inquire,

Caught these dim visions their awakening fire?

Oh, who forgets when first the piercing thought

Through childhood's musings found its way unsought?

I AM;—I LIVE. The mystery and the fear

When the dread question, WHAT HAS BROUGHT ME HERE?

Burst through life's twilight, as before the sun

Roll the deep thunders of the morning gun!

Are angel faces, silent and serene,

Bent on the conflicts of this little scene,

Whose dream-like efforts, whose unreal strife,

Are but the preludes to a larger life?

Or does life's summer see the end of all,

These leaves of being mouldering as they fall,

As the old poet vaguely used to deem,

As WESLEY questioned in his youthful dream?

Oh, could such mockery reach our souls indeed,

Give back the Pharaohs' or the Athenian's creed;

Better than this a Heaven of man's device,—

The Indian's sports, the Moslem's paradise!

Or is our being's only end and aim

To add new glories to our Maker's name,

As the poor insect, shrivelling in the blaze,

Lends a faint sparkle to its streaming rays?

Does earth send upward to the Eternal's ear

The mingled discords of her jarring sphere

To swell his anthem, while creation rings

With notes of anguish from its shattered strings?

Is it for this the immortal Artist means

These conscious, throbbing, agonized machines?

Dark is the soul whose sullen creed can bind

In chains like these the all-embracing Mind;

No! two-faced bigot, thou dost ill reprove

The sensual, selfish, yet benignant Jove,

And praise a tyrant throned in lonely pride,

Who loves himself, and cares for naught beside;

Who gave thee, summoned from primeval night,

A thousand laws, and not a single right,—

A heart to feel, and quivering nerves to thrill,

The sense of wrong, the death-defying will;

Who girt thy senses with this goodly frame,

Its earthly glories and its orbs of flame,

Not for thyself, unworthy of a thought,

Poor helpless victim of a life unsought,

But all for him, unchanging and supreme,

The heartless centre of thy frozen scheme.

Trust not the teacher with his lying scroll,

Who tears the charter of thy shuddering soul;

The God of love, who gave the breath that warms

All living dust in all its varied forms,

Asks not the tribute of a world like this

To fill the measure of his perfect bliss.

Though winged with life through all its radiant shores,

Creation flowed with unexhausted stores

Cherub and seraph had not yet enjoyed;

For this he called thee from the quickening void!

Nor this alone; a larger gift was thine,

A mightier purpose swelled his vast design

Thought,—conscience,—will,—to make them all thine own,

He rent a pillar from the eternal throne!

Made in his image, thou must nobly dare

The thorny crown of sovereignty to share.

With eye uplifted, it is thine to view,

From thine own centre, Heaven's o'erarching blue;

So round thy heart a beaming circle lies

No fiend can blot, no hypocrite disguise;

From all its orbs one cheering voice is heard,

Full to thine ear it bears the Father's word,

Now, as in Eden where his first-born trod

"Seek thine own welfare, true to man and God!"

Think not too meanly of thy low estate;

Thou hast a choice; to choose is to create!

Remember whose the sacred lips that tell,

Angels approve thee when thy choice is well;

Remember, One, a judge of righteous men,

Swore to spare Sodom if she held but ten!

Use well the freedom which thy Master gave,

(Think'st thou that Heaven can tolerate a slave?)

And He who made thee to be just and true

Will bless thee, love thee,—ay, respect thee too!

Nature has placed thee on a changeful tide,

To breast its waves, but not without a guide;

Yet, as the needle will forget its aim,

Jarred by the fury of the electric flame,

As the true current it will falsely feel,

Warped from its axis by a freight of steel;

So will thy CONSCIENCE lose its balanced truth

If passion's lightning fall upon thy youth,

So the pure effluence quit its sacred hold

Girt round too deeply with magnetic gold.

Go to yon tower, where busy science plies

Her vast antennae, feeling through the skies

That little vernier on whose slender lines

The midnight taper trembles as it shines,

A silent index, tracks the planets' march

In all their wanderings through the ethereal arch;

Tells through the mist where dazzled Mercury burns,

And marks the spot where Uranus returns.

So, till by wrong or negligence effaced,

The living index which thy Maker traced

Repeats the line each starry Virtue draws

Through the wide circuit of creation's laws;

Still tracks unchanged the everlasting ray

Where the dark shadows of temptation stray,

But, once defaced, forgets the orbs of light,

And leaves thee wandering o'er the expanse of night.

"What is thy creed?" a hundred lips inquire;

"Thou seekest God beneath what Christian spire?"

Nor ask they idly, for uncounted lies

Float upward on the smoke of sacrifice;

When man's first incense rose above the plain,

Of earth's two altars one was built by Cain!

Uncursed by doubt, our earliest creed we take;

We love the precepts for the teacher's sake;

The simple lessons which the nursery taught

Fell soft and stainless on the buds of thought,

And the full blossom owes its fairest hue

To those sweet tear-drops of affection's dew.

Too oft the light that led our earlier hours

Fades with the perfume of our cradle flowers;

The clear, cold question chills to frozen doubt;

Tired of beliefs, we dread to live without

Oh then, if Reason waver at thy side,

Let humbler Memory be thy gentle guide;

Go to thy birthplace, and, if faith was there,

Repeat thy father's creed, thy mother's prayer!

Faith loves to lean on Time's destroying arm,

And age, like distance, lends a double charm;

In dim cathedrals, dark with vaulted gloom,

What holy awe invests the saintly tomb!

There pride will bow, and anxious care expand,

And creeping avarice come with open hand;

The gay can weep, the impious can adore,

From morn's first glimmerings on the chancel floor

Till dying sunset sheds his crimson stains

Through the faint halos of the irised panes.

Yet there are graves, whose rudely-shapen sod

Bears the fresh footprints where the sexton trod;

Graves where the verdure has not dared to shoot,

Where the chance wild-flower has not fixed its root,

Whose slumbering tenants, dead without a name,

The eternal record shall at length proclaim

Pure as the holiest in the long array

Of hooded, mitred, or tiaraed clay!

Come, seek the air; some pictures we may gain

Whose passing shadows shall not be in vain;

Not from the scenes that crowd the stranger's soil,

Not from our own amidst the stir of toil,

But when the Sabbath brings its kind release,

And Care lies slumbering on the lap of Peace.

The air is hushed, the street is holy ground;

Hark! The sweet bells renew their welcome sound

As one by one awakes each silent tongue,

It tells the turret whence its voice is flung.

The Chapel, last of sublunary things

That stirs our echoes with the name of Kings,

Whose bell, just glistening from the font and forge,

Rolled its proud requiem for the second George,

Solemn and swelling, as of old it rang,

Flings to the wind its deep, sonorous clang;

The simpler pile, that, mindful of the hour

When Howe's artillery shook its half-built tower,

Wears on its bosom, as a bride might do,

The iron breastpin which the "Rebels" threw,

Wakes the sharp echoes with the quivering thrill

Of keen vibrations, tremulous and shrill;

Aloft, suspended in the morning's fire,

Crash the vast cymbals from the Southern spire;

The Giant, standing by the elm-clad green,

His white lance lifted o'er the silent scene,

Whirling in air his brazen goblet round,

Swings from its brim the swollen floods of sound;

While, sad with memories of the olden time,

Throbs from his tower the Northern Minstrel's chime,—

Faint, single tones, that spell their ancient song,

But tears still follow as they breathe along.

Child of the soil, whom fortune sends to range

Where man and nature, faith and customs change,

Borne in thy memory, each familiar tone

Mourns on the winds that sigh in every zone.

When Ceylon sweeps thee with her perfumed breeze

Through the warm billows of the Indian seas;

When—ship and shadow blended both in one—

Flames o'er thy mast the equatorial sun,

From sparkling midnight to refulgent noon

Thy canvas swelling with the still monsoon;

When through thy shrouds the wild tornado sings,

And thy poor sea-bird folds her tattered wings,—

Oft will delusion o'er thy senses steal,

And airy echoes ring the Sabbath peal

Then, dim with grateful tears, in long array

Rise the fair town, the island-studded bay,

Home, with its smiling board, its cheering fire,

The half-choked welcome of the expecting sire,

The mother's kiss, and, still if aught remain,

Our whispering hearts shall aid the silent strain.

Ah, let the dreamer o'er the taffrail lean

To muse unheeded, and to weep unseen;

Fear not the tropic's dews, the evening's chills,

His heart lies warm among his triple hills!

Turned from her path by this deceitful gleam,

My wayward fancy half forgets her theme.

See through the streets that slumbered in repose

The living current of devotion flows,

Its varied forms in one harmonious band

Age leading childhood by its dimpled hand;

Want, in the robe whose faded edges fall

To tell of rags beneath the tartan shawl;

And wealth, in silks that, fluttering to appear,

Lift the deep borders of the proud cashmere.

See, but glance briefly, sorrow-worn and pale,

Those sunken cheeks beneath the widow's veil;

Alone she wanders where with HIM she trod,

No arm to stay her, but she leans on God.

While other doublets deviate here and there,

What secret handcuff binds that pretty pair?

Compactest couple! pressing side to side,—

Ah, the white bonnet that reveals the bride!

By the white neckcloth, with its straitened tie,

The sober hat, the Sabbath-speaking eye,

Severe and smileless, he that runs may read

The stern disciple of Geneva's creed

Decent and slow, behold his solemn march;

Silent he enters through yon crowded arch.

A livelier bearing of the outward man,

The light-hued gloves, the undevout rattan,

Now smartly raised or half profanely twirled,—

A bright, fresh twinkle from the week-day world,—

Tell their plain story; yes, thine eyes behold

A cheerful Christian from the liberal fold.

Down the chill street that curves in gloomiest shade

What marks betray yon solitary maid?

The cheek's red rose that speaks of balmier air,

The Celtic hue that shades her braided hair,

The gilded missal in her kerchief tied,—

Poor Nora, exile from Killarney's side!

Sister in toil, though blanched by colder skies,

That left their azure in her downcast eyes,

See pallid Margaret, Labor's patient child,

Scarce weaned from home, the nursling of the wild,

Where white Katahdin o'er the horizon shines,

And broad Penobscot dashes through the pines.

Still, as she hastes, her careful fingers hold

The unfailing hymn-book in its cambric fold.

Six days at drudgery's heavy wheel she stands,

The seventh sweet morning folds her weary hands.

Yes, child of suffering, thou mayst well be sure

He who ordained the Sabbath loves the poor!

This weekly picture faithful Memory draws,

Nor claims the noisy tribute of applause;

Faint is the glow such barren hopes can lend,

And frail the line that asks no loftier end.

Trust me, kind listener, I will yet beguile

Thy saddened features of the promised smile.

This magic mantle thou must well divide,

It has its sable and its ermine side;

Yet, ere the lining of the robe appears,

Take thou in silence what I give in tears.

Dear listening soul, this transitory scene

Of murmuring stillness, busily serene,—

This solemn pause, the breathing-space of man,

The halt of toil's exhausted caravan,—

Comes sweet with music to thy wearied ear;

Rise with its anthems to a holier sphere!

Deal meekly, gently, with the hopes that guide

The lowliest brother straying from thy side

If right, they bid thee tremble for thine own;

If wrong, the verdict is for God alone.

What though the champions of thy faith esteem

The sprinkled fountain or baptismal stream;

Shall jealous passions in unseemly strife

Cross their dark weapons o'er the waves of life?

Let my free soul, expanding as it can,

Leave to his scheme the thoughtful Puritan;

But Calvin's dogma shall my lips deride?

In that stern faith my angel Mary died;

Or ask if mercy's milder creed can save,

Sweet sister, risen from thy new-made grave?

True, the harsh founders of thy church reviled

That ancient faith, the trust of Erin's child;

Must thou be raking in the crumbled past

For racks and fagots in her teeth to cast?

See from the ashes of Helvetia's pile

The whitened skull of old Servetus smile!

Round her young heart thy "Romish Upas" threw

Its firm, deep fibres, strengthening as she grew;

Thy sneering voice may call them "Popish tricks,"

Her Latin prayers, her dangling crucifix,

But De Profundis blessed her father's grave,

That "idol" cross her dying mother gave!

What if some angel looks with equal eyes

On her and thee, the simple and the wise,

Writes each dark fault against thy brighter creed,

And drops a tear with every foolish bead!

Grieve, as thou must, o'er history's reeking page;

Blush for the wrongs that stain thy happier age;

Strive with the wanderer from the better path,

Bearing thy message meekly, not in wrath;

Weep for the frail that err, the weak that fall,

Have thine own faith,—but hope and pray for all!

Faith; Conscience; Love. A meaner task remains,

And humbler thoughts must creep in lowlier strains.

Shalt thou be honest? Ask the worldly schools,

And all will tell thee knaves are busier fools;

Prudent? Industrious? Let not modern pens

Instruct "Poor Richard's" fellow-citizens.

Be firm! One constant element in luck

Is genuine solid old Teutonic pluck.

See yon tall shaft; it felt the earthquake's thrill,

Clung to its base, and greets the sunrise still.

Stick to your aim: the mongrel's hold will slip,

But only crowbars loose the bulldog's grip;

Small as he looks, the jaw that never yields

Drags down the bellowing monarch of the fields!

Yet in opinions look not always back,—

Your wake is nothing, mind the coming track;

Leave what you've done for what you have to do;

Don't be "consistent," but be simply true.

Don't catch the fidgets; you have found your place

Just in the focus of a nervous race,

Fretful to change and rabid to discuss,

Full of excitements, always in a fuss.

Think of the patriarchs; then compare as men

These lean-cheeked maniacs of the tongue and pen!

Run, if you like, but try to keep your breath;

Work like a man, but don't be worked to death;

And with new notions,—let me change the rule,—

Don't strike the iron till it 's slightly cool.

Choose well your set; our feeble nature seeks

The aid of clubs, the countenance of cliques;

And with this object settle first of all

Your weight of metal and your size of ball.

Track not the steps of such as hold you cheap,

Too mean to prize, though good enough to keep;

The "real, genuine, no-mistake Tom Thumbs"

Are little people fed on great men's crumbs.

Yet keep no followers of that hateful brood

That basely mingles with its wholesome food

The tumid reptile, which, the poet said,

Doth wear a precious jewel in his head.

If the wild filly, "Progress," thou wouldst ride,

Have young companions ever at thy side;

But wouldst thou stride the stanch old mare, "Success,"

Go with thine elders, though they please thee less.

Shun such as lounge through afternoons and eves,

And on thy dial write, "Beware of thieves!"

Felon of minutes, never taught to feel

The worth of treasures which thy fingers steal,

Pick my left pocket of its silver dime,

But spare the right,—it holds my golden time!

Does praise delight thee? Choose some ultra side,—

A sure old recipe, and often tried;

Be its apostle, congressman, or bard,

Spokesman or jokesman, only drive it hard;

But know the forfeit which thy choice abides,

For on two wheels the poor reformer rides,—

One black with epithets the anti throws,

One white with flattery painted by the pros.

Though books on MANNERS are not out of print,

An honest tongue may drop a harmless hint.

Stop not, unthinking, every friend you meet,

To spin your wordy fabric in the street;

While you are emptying your colloquial pack,

The fiend Lumbago jumps upon his back.

Nor cloud his features with the unwelcome tale

Of how he looks, if haply thin and pale;

Health is a subject for his child, his wife,

And the rude office that insures his life.

Look in his face, to meet thy neighbor's soul,

Not on his garments, to detect a hole;

"How to observe" is what thy pages show,

Pride of thy sex, Miss Harriet Martineau!

Oh, what a precious book the one would be

That taught observers what they 're NOT to see!

I tell in verse—'t were better done in prose—

One curious trick that everybody knows;

Once form this habit, and it's very strange

How long it sticks, how hard it is to change.

Two friendly people, both disposed to smile,

Who meet, like others, every little while,

Instead of passing with a pleasant bow,

And "How d' ye do?" or "How 's your uncle now?"

Impelled by feelings in their nature kind,

But slightly weak and somewhat undefined,

Rush at each other, make a sudden stand,

Begin to talk, expatiate, and expand;

Each looks quite radiant, seems extremely struck,

Their meeting so was such a piece of luck;

Each thinks the other thinks he 's greatly pleased

To screw the vice in which they both are squeezed;

So there they talk, in dust, or mud, or snow,

Both bored to death, and both afraid to go!

Your hat once lifted, do not hang your fire,

Nor, like slow Ajax, fighting still, retire;

When your old castor on your crown you clap,

Go off; you've mounted your percussion cap.

Some words on LANGUAGE may be well applied,

And take them kindly, though they touch your pride.

Words lead to things; a scale is more precise,—

Coarse speech, bad grammar, swearing, drinking, vice.

Our cold Northeaster's icy fetter clips

The native freedom of the Saxon lips;

See the brown peasant of the plastic South,

How all his passions play about his mouth!

With us, the feature that transmits the soul,

A frozen, passive, palsied breathing-hole.

The crampy shackles of the ploughboy's walk

Tie the small muscles when he strives to talk;

Not all the pumice of the polished town

Can smooth this roughness of the barnyard down;

Rich, honored, titled, he betrays his race

By this one mark,—he's awkward in the face;—

Nature's rude impress, long before he knew

The sunny street that holds the sifted few.

It can't be helped, though, if we're taken young,

We gain some freedom of the lips and tongue;

But school and college often try in vain

To break the padlock of our boyhood's chain

One stubborn word will prove this axiom true,—

No quondam rustic can enunciate view.

A few brief stanzas may be well employed

To speak of errors we can all avoid.

Learning condemns beyond the reach of hope

The careless lips that speak of so'ap for soap;

Her edict exiles from her fair abode

The clownish voice that utters ro'ad for road

Less stern to him who calls his coat a co'at,

And steers his boat, believing it a bo'at,

She pardoned one, our classic city's boast,

Who said at Cambridge mo'st instead of most,

But knit her brows and stamped her angry foot

To hear a Teacher call a root a ro'ot.

Once more: speak clearly, if you speak at all;

Carve every word before you let it fall;

Don't, like a lecturer or dramatic star,

Try over-hard to roll the British R;

Do put your accents in the proper spot;

Don't,—let me beg you,—don't say "How?" for "What?"

And when you stick on conversation's burs,

Don't strew your pathway with those dreadful urs.

From little matters let us pass to less,

And lightly touch the mysteries of DRESS;

The outward forms the inner man reveal,—

We guess the pulp before we cut the peel.

I leave the broadcloth,—coats and all the rest,—

The dangerous waistcoat, called by cockneys "vest,"

The things named "pants" in certain documents,

A word not made for gentlemen, but "gents;"

One single precept might the whole condense

Be sure your tailor is a man of sense;

But add a little care, a decent pride,

And always err upon the sober side.

Three pairs of boots one pair of feet demands,

If polished daily by the owner's hands;

If the dark menial's visit save from this,

Have twice the number,—for he 'll sometimes miss.

One pair for critics of the nicer sex,

Close in the instep's clinging circumflex,

Long, narrow, light; the Gallic boot of love,

A kind of cross between a boot and glove.

Compact, but easy, strong, substantial, square,

Let native art compile the medium pair.

The third remains, and let your tasteful skill

Here show some relics of affection still;

Let no stiff cowhide, reeking from the tan,

No rough caoutchoue, no deformed brogan,

Disgrace the tapering outline of your feet,

Though yellow torrents gurgle through the street.

Wear seemly gloves; not black, nor yet too light,

And least of all the pair that once was white;

Let the dead party where you told your loves

Bury in peace its dead bouquets and gloves;

Shave like the goat, if so your fancy bids,

But be a parent,—don't neglect your kids.

Have a good hat; the secret of your looks

Lives with the beaver in Canadian brooks;

Virtue may flourish in an old cravat,

But man and nature scorn the shocking hat.

Does beauty slight you from her gay abodes?

Like bright Apollo, you must take to Rhoades,—

Mount the new castor,—ice itself will melt;

Boots, gloves, may fail; the hat is always felt.

Be shy of breastpins; plain, well-ironed white,

With small pearl buttons,—two of them in sight,—

Is always genuine, while your gems may pass,

Though real diamonds, for ignoble glass.

But spurn those paltry Cisatlantic lies

That round his breast the shabby rustic ties;

Breathe not the name profaned to hallow things

The indignant laundress blushes when she brings!

Our freeborn race, averse to every check,

Has tossed the yoke of Europe from its neck;

From the green prairie to the sea-girt town,

The whole wide nation turns its collars down.

The stately neck is manhood's manliest part;

It takes the life-blood freshest from the heart.

With short, curled ringlets close around it spread,

How light and strong it lifts the Grecian head!

Thine, fair Erechtheus of Minerva's wall;

Or thine, young athlete of the Louvre's hall,

Smooth as the pillar flashing in the sun

That filled the arena where thy wreaths were won,

Firm as the band that clasps the antlered spoil

Strained in the winding anaconda's coil

I spare the contrast; it were only kind

To be a little, nay, intensely blind.

Choose for yourself: I know it cuts your ear;

I know the points will sometimes interfere;

I know that often, like the filial John,

Whom sleep surprised with half his drapery on,

You show your features to the astonished town

With one side standing and the other down;—

But, O, my friend! my favorite fellow-man!

If Nature made you on her modern plan,

Sooner than wander with your windpipe bare,—

The fruit of Eden ripening in the air,—

With that lean head-stalk, that protruding chin,

Wear standing collars, were they made of tin!

And have a neckcloth—by the throat of Jove!—

Cut from the funnel of a rusty stove!

The long-drawn lesson narrows to its close,

Chill, slender, slow, the dwindled current flows;

Tired of the ripples on its feeble springs,

Once more the Muse unfolds her upward wings.

Land of my birth, with this unhallowed tongue,

Thy hopes, thy dangers, I perchance had sung;

But who shall sing, in brutal disregard

Of all the essentials of the "native bard"?

Lake, sea, shore, prairie, forest, mountain, fall,

His eye omnivorous must devour them all;

The tallest summits and the broadest tides

His foot must compass with its giant strides,

Where Ocean thunders, where Missouri rolls,

And tread at once the tropics and the poles;

His food all forms of earth, fire, water, air,

His home all space, his birthplace everywhere.

Some grave compatriot, having seen perhaps

The pictured page that goes in Worcester's Maps,

And, read in earnest what was said in jest,

"Who drives fat oxen"—please to add the rest,—

Sprung the odd notion that the poet's dreams

Grow in the ratio of his hills and streams;

And hence insisted that the aforesaid "bard,"

Pink of the future, fancy's pattern-card,

The babe of nature in the "giant West,"

Must be of course her biggest and her best.

Oh! when at length the expected bard shall come,

Land of our pride, to strike thine echoes dumb,

(And many a voice exclaims in prose and rhyme,

It's getting late, and he's behind his time,)

When all thy mountains clap their hands in joy,

And all thy cataracts thunder, "That 's the boy,"—

Say if with him the reign of song shall end,

And Heaven declare its final dividend!

Becalm, dear brother! whose impassioned strain

Comes from an alley watered by a drain;

The little Mincio, dribbling to the Po,

Beats all the epics of the Hoang Ho;

If loved in earnest by the tuneful maid,

Don't mind their nonsense,—never be afraid!

The nurse of poets feeds her winged brood

By common firesides, on familiar food;

In a low hamlet, by a narrow stream,

Where bovine rustics used to doze and dream,

She filled young William's fiery fancy full,

While old John Shakespeare talked of beeves and wool!

No Alpine needle, with its climbing spire,

Brings down for mortals the Promethean fire,

If careless nature have forgot to frame

An altar worthy of the sacred flame.

Unblest by any save the goatherd's lines,

Mont Blanc rose soaring through his "sea of pines;"

In vain the rivers from their ice-caves flash;

No hymn salutes them but the Ranz des Vaches,

Till lazy Coleridge, by the morning's light,

Gazed for a moment on the fields of white,

And lo! the glaciers found at length a tongue,

Mont Blanc was vocal, and Chamouni sung!

Children of wealth or want, to each is given

One spot of green, and all the blue of heaven!

Enough if these their outward shows impart;

The rest is thine,—the scenery of the heart.

If passion's hectic in thy stanzas glow,

Thy heart's best life-blood ebbing as they flow;

If with thy verse thy strength and bloom distil,

Drained by the pulses of the fevered thrill;

If sound's sweet effluence polarize thy brain,

And thoughts turn crystals in thy fluid strain,—

Nor rolling ocean, nor the prairie's bloom,

Nor streaming cliffs, nor rayless cavern's gloom,

Need'st thou, young poet, to inform thy line;

Thy own broad signet stamps thy song divine!

Let others gaze where silvery streams are rolled,

And chase the rainbow for its cup of gold;

To thee all landscapes wear a heavenly dye,

Changed in the glance of thy prismatic eye;

Nature evoked thee in sublimer throes,

For thee her inmost Arethusa flows,—

The mighty mother's living depths are stirred,—

Thou art the starred Osiris of the herd!

A few brief lines; they touch on solemn chords,

And hearts may leap to hear their honest words;

Yet, ere the jarring bugle-blast is blown,

The softer lyre shall breathe its soothing tone.

New England! proudly may thy children claim

Their honored birthright by its humblest name

Cold are thy skies, but, ever fresh and clear,

No rank malaria stains thine atmosphere;

No fungous weeds invade thy scanty soil,

Scarred by the ploughshares of unslumbering toil.

Long may the doctrines by thy sages taught,

Raised from the quarries where their sires have wrought,

Be like the granite of thy rock-ribbed land,—

As slow to rear, as obdurate to stand;

And as the ice that leaves thy crystal mine

Chills the fierce alcohol in the Creole's wine,

So may the doctrines of thy sober school

Keep the hot theories of thy neighbors cool!

If ever, trampling on her ancient path,

Cankered by treachery or inflamed by wrath,

With smooth "Resolves" or with discordant cries,

The mad Briareus of disunion rise,

Chiefs of New England! by your sires' renown,

Dash the red torches of the rebel down!

Flood his black hearthstone till its flames expire,

Though your old Sachem fanned his council-fire!

But if at last, her fading cycle run,

The tongue must forfeit what the arm has won,

Then rise, wild Ocean! roll thy surging shock

Full on old Plymouth's desecrated rock!

Scale the proud shaft degenerate hands have hewn,

Where bleeding Valor stained the flowers of June!

Sweep in one tide her spires and turrets down,

And howl her dirge above Monadnock's crown!

List not the tale; the Pilgrim's hallowed shore,

Though strewn with weeds, is granite at the core;

Oh, rather trust that He who made her free

Will keep her true as long as faith shall be!

Farewell! yet lingering through the destined hour,

Leave, sweet Enchantress, one memorial flower!

An Angel, floating o'er the waste of snow

That clad our Western desert, long ago,

(The same fair spirit who, unseen by day,

Shone as a star along the Mayflower's way,)—

Sent, the first herald of the Heavenly plan,

To choose on earth a resting-place for man,—

Tired with his flight along the unvaried field,

Turned to soar upwards, when his glance revealed

A calm, bright bay enclosed in rocky bounds,

And at its entrance stood three sister mounds.

The Angel spake: "This threefold hill shall be

The home of Arts, the nurse of Liberty!

One stately summit from its shaft shall pour

Its deep-red blaze along the darkened shore;

Emblem of thoughts that, kindling far and wide,

In danger's night shall be a nation's guide.

One swelling crest the citadel shall crown,

Its slanted bastions black with battle's frown,

And bid the sons that tread its scowling heights

Bare their strong arms for man and all his rights!

One silent steep along the northern wave

Shall hold the patriarch's and the hero's grave;

When fades the torch, when o'er the peaceful scene

The embattled fortress smiles in living green,

The cross of Faith, the anchor staff of Hope,

Shall stand eternal on its grassy slope;

There through all time shall faithful Memory tell,

'Here Virtue toiled, and Patriot Valor fell;

Thy free, proud fathers slumber at thy side;

Live as they lived, or perish as they died!'"

AN AFTER-DINNER POEM

(TERPSICHORE)

Read at the Annual Dinner of the Phi Beta Kappa Society, at

Cambridge, August 24, 1843.

IN narrowest girdle, O reluctant Muse,

In closest frock and Cinderella shoes,

Bound to the foot-lights for thy brief display,

One zephyr step, and then dissolve away!

. . . . . . . . . .

Short is the space that gods and men can spare

To Song's twin brother when she is not there.

Let others water every lusty line,

As Homer's heroes did their purple wine;

Pierian revellers! Know in strains like these

The native juice, the real honest squeeze,—-

Strains that, diluted to the twentieth power,

In yon grave temple might have filled an hour.

Small room for Fancy's many-chorded lyre,

For Wit's bright rockets with their trains of fire,

For Pathos, struggling vainly to surprise

The iron tutor's tear-denying eyes,

For Mirth, whose finger with delusive wile

Turns the grim key of many a rusty smile,

For Satire, emptying his corrosive flood

On hissing Folly's gas-exhaling brood,

The pun, the fun, the moral, and the joke,

The hit, the thrust, the pugilistic poke,—

Small space for these, so pressed by niggard Time,

Like that false matron, known to nursery rhyme,—

Insidious Morey,—scarce her tale begun,

Ere listening infants weep the story done.

Oh, had we room to rip the mighty bags

That Time, the harlequin, has stuffed with rags!

Grant us one moment to unloose the strings,

While the old graybeard shuts his leather wings.

But what a heap of motley trash appears

Crammed in the bundles of successive years!

As the lost rustic on some festal day

Stares through the concourse in its vast array,—

Where in one cake a throng of faces runs,

All stuck together like a sheet of buns,—

And throws the bait of some unheeded name,

Or shoots a wink with most uncertain aim,

So roams my vision, wandering over all,

And strives to choose, but knows not where to fall.

Skins of flayed authors, husks of dead reviews,

The turn-coat's clothes, the office-seeker's shoes,

Scraps from cold feasts, where conversation runs

Through mouldy toasts to oxidated puns,

And grating songs a listening crowd endures,

Rasped from the throats of bellowing amateurs;

Sermons, whose writers played such dangerous tricks

Their own heresiarchs called them heretics,

(Strange that one term such distant poles should link,

The Priestleyan's copper and the Puseyan's zinc);

Poems that shuffle with superfluous legs

A blindfold minuet over addled eggs,

Where all the syllables that end in ed,

Like old dragoons, have cuts across the head;

Essays so dark Champollion might despair

To guess what mummy of a thought was there,

Where our poor English, striped with foreign phrase,

Looks like a zebra in a parson's chaise;

Lectures that cut our dinners down to roots,

Or prove (by monkeys) men should stick to fruits,—

Delusive error, as at trifling charge

Professor Gripes will certify at large;

Mesmeric pamphlets, which to facts appeal,

Each fact as slippery as a fresh-caught eel;

And figured heads, whose hieroglyphs invite

To wandering knaves that discount fools at sight:

Such things as these, with heaps of unpaid bills,

And candy puffs and homoeopathic pills,

And ancient bell-crowns with contracted rim,

And bonnets hideous with expanded brim,

And coats whose memory turns the sartor pale,

Their sequels tapering like a lizard's tale,—

How might we spread them to the smiling day,

And toss them, fluttering like the new-mown hay,

To laughter's light or sorrow's pitying shower,

Were these brief minutes lengthened to an hour.

The narrow moments fit like Sunday shoes,—

How vast the heap, how quickly must we choose!

A few small scraps from out his mountain mass

We snatch in haste, and let the vagrant pass.

This shrunken CRUST that Cerberus could not bite,

Stamped (in one corner) "Pickwick copyright,"

Kneaded by youngsters, raised by flattery's yeast,

Was once a loaf, and helped to make a feast.

He for whose sake the glittering show appears

Has sown the world with laughter and with tears,

And they whose welcome wets the bumper's brim

Have wit and wisdom,—for they all quote him.

So, many a tongue the evening hour prolongs

With spangled speeches,—let alone the songs;

Statesmen grow merry, lean attorneys laugh,

And weak teetotals warm to half and half,

And beardless Tullys, new to festive scenes,

Cut their first crop of youth's precocious greens,

And wits stand ready for impromptu claps,

With loaded barrels and percussion caps,

And Pathos, cantering through the minor keys,

Waves all her onions to the trembling breeze;

While the great Feasted views with silent glee

His scattered limbs in Yankee fricassee.

Sweet is the scene where genial friendship plays

The pleasing game of interchanging praise.

Self-love, grimalkin of the human heart,

Is ever pliant to the master's art;

Soothed with a word, she peacefully withdraws

And sheathes in velvet her obnoxious claws,

And thrills the hand that smooths her glossy fur

With the light tremor of her grateful purr.

But what sad music fills the quiet hall,

If on her back a feline rival fall!

And oh, what noises shake the tranquil house

If old Self-interest cheats her of a mouse.

Thou, O my country, hast thy foolish ways,

Too apt to purr at every stranger's praise;

But if the stranger touch thy modes or laws,

Off goes the velvet and out come the claws!

And thou, Illustrious! but too poorly paid

In toasts from Pickwick for thy great crusade,

Though, while the echoes labored with thy name,

The public trap denied thy little game,

Let other lips our jealous laws revile,—

The marble Talfourd or the rude Carlyle,—

But on thy lids, which Heaven forbids to close

Where'er the light of kindly nature glows,

Let not the dollars that a churl denies

Weigh like the shillings on a dead man's eyes!

Or, if thou wilt, be more discreetly blind,

Nor ask to see all wide extremes combined.

Not in our wastes the dainty blossoms smile

That crowd the gardens of thy scanty isle.

There white-cheeked Luxury weaves a thousand charms;

Here sun-browned Labor swings his naked arms.

Long are the furrows he must trace between

The ocean's azure and the prairie's green;

Full many a blank his destined realm displays,

Yet sees the promise of his riper days

Far through yon depths the panting engine moves,

His chariots ringing in their steel-shod grooves;

And Erie's naiad flings her diamond wave

O'er the wild sea-nymph in her distant cave!

While tasks like these employ his anxious hours,

What if his cornfields are not edged with flowers?

Though bright as silver the meridian beams

Shine through the crystal of thine English streams,

Turbid and dark the mighty wave is whirled

That drains our Andes and divides a world!

But lo! a PARCHMENT! Surely it would seem

The sculptured impress speaks of power supreme;

Some grave design the solemn page must claim

That shows so broadly an emblazoned name.

A sovereign's promise! Look, the lines afford

All Honor gives when Caution asks his word:

There sacred Faith has laid her snow-white hands,

And awful Justice knit her iron bands;

Yet every leaf is stained with treachery's dye,

And every letter crusted with a lie.

Alas! no treason has degraded yet

The Arab's salt, the Indian's calumet;

A simple rite, that bears the wanderer's pledge,

Blunts the keen shaft and turns the dagger's edge;

While jockeying senates stop to sign and seal,

And freeborn statesmen legislate to steal.

Rise, Europe, tottering with thine Atlas load,

Turn thy proud eye to Freedom's blest abode,

And round her forehead, wreathed with heavenly flame,

Bind the dark garland of her daughter's shame!

Ye ocean clouds, that wrap the angry blast,

Coil her stained ensign round its haughty mast,

Or tear the fold that wears so foul a scar,

And drive a bolt through every blackened star!

Once more,—once only,—- we must stop so soon:

What have we here? A GERMAN-SILVER SPOON;

A cheap utensil, which we often see

Used by the dabblers in aesthetic tea,

Of slender fabric, somewhat light and thin,

Made of mixed metal, chiefly lead and tin;

The bowl is shallow, and the handle small,

Marked in large letters with the name JEAN PAUL.

Small as it is, its powers are passing strange,

For all who use it show a wondrous change;

And first, a fact to make the barbers stare,

It beats Macassar for the growth of hair.

See those small youngsters whose expansive ears

Maternal kindness grazed with frequent shears;

Each bristling crop a dangling mass becomes,

And all the spoonies turn to Absaloms

Nor this alone its magic power displays,

It alters strangely all their works and ways;

With uncouth words they tire their tender lungs,

The same bald phrases on their hundred tongues

"Ever" "The Ages" in their page appear,

"Alway" the bedlamite is called a "Seer;"

On every leaf the "earnest" sage may scan,

Portentous bore! their "many-sided" man,—

A weak eclectic, groping vague and dim,

Whose every angle is a half-starved whim,

Blind as a mole and curious as a lynx,

Who rides a beetle, which he calls a "Sphinx."

And oh, what questions asked in clubfoot rhyme

Of Earth the tongueless and the deaf-mute Time!

Here babbling "Insight" shouts in Nature's ears

His last conundrum on the orbs and spheres;

There Self-inspection sucks its little thumb,

With "Whence am I?" and "Wherefore did I come?"

Deluded infants! will they ever know

Some doubts must darken o'er the world below,

Though all the Platos of the nursery trail

Their "clouds of glory" at the go-cart's tail?

Oh might these couplets their attention claim

That gain their author the Philistine's name

(A stubborn race, that, spurning foreign law,

Was much belabored with an ass's jaw.)

Melodious Laura! From the sad retreats

That hold thee, smothered with excess of sweets,

Shade of a shadow, spectre of a dream,

Glance thy wan eye across the Stygian stream!

The slipshod dreamer treads thy fragrant halls,

The sophist's cobwebs hang thy roseate walls,

And o'er the crotchets of thy jingling tunes

The bard of mystery scrawls his crooked "runes."

Yes, thou art gone, with all the tuneful hordes

That candied thoughts in amber-colored words,

And in the precincts of thy late abodes

The clattering verse-wright hammers Orphic odes.

Thou, soft as zephyr, wast content to fly

On the gilt pinions of a balmy sigh;

He, vast as Phoebus on his burning wheels,

Would stride through ether at Orion's heels.

Thy emblem, Laura, was a perfume-jar,

And thine, young Orpheus, is a pewter star.

The balance trembles,—be its verdict told

When the new jargon slumbers with the old!

. . . . . . . .

Cease, playful goddess! From thine airy bound

Drop like a feather softly to the ground;

This light bolero grows a ticklish dance,

And there is mischief in thy kindling glance.

To-morrow bids thee, with rebuking frown,

Change thy gauze tunic for a home-made gown,

Too blest by fortune if the passing day

Adorn thy bosom with its frail bouquet,

But oh, still happier if the next forgets

Thy daring steps and dangerous pirouettes!

*** END OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF OLIVER WENDELL HOLMES — VOLUME 02 ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE POETICAL WORKS

ADDITIONAL POEMS

THE PILGRIM'S VISION THE STEAMBOAT LEXINGTON ON LENDING A PUNCH BOWL A SONG FOR THE CENTENNIAL CELEBRATION OF HARVARD COLLEGE, THE ISLAND HUNTING-SONG DEPARTED DAYS THE ONLY DAUGHTER SONG WRITTEN FOR THE DINNER GIVEN TO CHARLES DICKENS, BY THE YOUNG MEN OF BOSTON, FEBRUARY 1, 1842 LINES RECITED AT THE BERKSHIRE JUBILEE NUX POSTCOENATICA VERSES FOR AFTER-DINNER A MODEST REQUEST, COMPLIED WITH AFTER THE DINNER AT PRESIDENT EVERETT'S INAUGURATION THE PARTING WORD A SONG OF OTHER DAYS SONG FOR A TEMPERANCE DINNER TO WHICH LADIES WERE INVITED (NEW YORK MERCANTILE LIBRARY ASSOCIATION, NOVEMBER, 1842) A SENTIMENT A RHYMED LESSON (URANIA) AN AFTER-DINNER POEM (TERPSICHORE)

THE PILGRIM'S VISION

THE STEAMBOAT

LEXINGTON

ON LENDING A PUNCH-BOWL

A SONG

THE ISLAND HUNTING-SONG

DEPARTED DAYS

THE ONLY DAUGHTER

SONG

LINES

NUX POSTCOENATICA

VERSES FOR AFTER-DINNER PHI BETA KAPPA SOCIETY, 1844

A MODEST REQUEST

THE PARTING WORD

A SONG OF OTHER DAYS

SONG

A SENTIMENT

A RHYMED LESSON (URANIA)

AN AFTER-DINNER POEM

THE FULL PROJECT GUTENBERG™ LICENSE