All Round the Year
Author: E. Nesbit; Caris Brooke
Date: 2007-01-20T00:00:00+00:00
Keywords: Poetry

The Project Gutenberg eBook of All Round the Year

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: All Round the Year

Author: E. Nesbit

Caris Brooke

Illustrator: H. Bellingham Smith

Release date: January 20, 2007 [eBook #20404]
Most recently updated: January 1, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/20404

Credits: Produced by Louise Hope, David Edwards, Marilynda
Fraser-Cunliffe and the Online Distributed Proofreading
Team at https://www.pgdp.net (This file was produced from
images generously made available by the International
Children's Digital Library at
http://www.childrenslibrary.org)

*** START OF THE PROJECT GUTENBERG EBOOK ALL ROUND THE YEAR ***

Note about Display

Title Page Text

All round the year the changing suns and rains

Beat on men’s work—to wreck and to decay—

But nature builds more perfectly than they,

Her changing unchanged sea resists, remains.

All round the year new flowers spring up to shew

How gloriously life is more strong than death;

And in our hearts are seeds of love and faith,

Ah, sun and showers, be kind, and let them grow.

RESURGAM.

Swift pass the hours, or lengthened by our hearts

Uncertain measurement of time,

And when we dream the year has just awoke,

We wake to find her in her prime.

We sadden with the dying Autumn leaves,

Yet falling seeds their promise bring;

Through long dark Winter days we only wait

A resurrection in the coming Spring.

Within each hour the precious minutes lie

Like seeds awaiting Spring’s first breath,

God’s harvest-time shall show us if they bear

The flowers of life or death.

Caris Brooke.

Cold is the earth, the flowers below,

Fearful of Winter’s hand, lie curled;

But Spring will come again you know,

And glorify the world.

Dark is the night, no stars or moon;

But at its blackest night is done;

All after hastens to the noon,

The triumph of the sun!

And life is short, and love is brief—

Be patient! There will be—they say

New life, divine beyond belief,

Somewhere, somehow, some day!

E. Nesbit.

MARCH VIOLETS.

This busy, dusty wind that blows

Along the cruel streets,

Right to the heart of violets goes,

And robs them of their sweets.

And as along the cruel street

The keen wind robs the flowers,

So the cold kindness that we meet

Blights these poor hearts of ours.

But if you tend with warmth, you know,

Your violets, they give

Sweet scent again, as if to show

How glad they are to live.

We think if some one loved us too

Our hearts would break to prove

By all that we could say or do,

How glad we were to love!

E. Nesbit.

Dream footsteps wandering past us in our sleep,

A restless presence stirring with the light,

The cry of waters where the snow was white,

A violet’s whisper where dead leaves lay deep;

The dim wood’s music makes a sudden leap,

Broken notes, blending in a wild delight,

And lo! the whole world changes in our sight.

Promise is ended—we must turn and reap

Fulfilment, for the Spring with all her wealth

Is with us, and compels us to her will.

Yet if the sun-dawn we should shun by stealth

Yearning for shadows and the darkened hours,

Sweet Lord, be pitiful, remembering still

One lieth low beneath the budding flowers.

Caris Brooke.

Never a hand on the cottage door

To call me forth in the evening light,

My days grow old, and I watch no more

The cowslips gold and the may-buds white.

Primroses nestle beneath the hedge

Where we kissed and wept and said good-bye—

For twenty years I have watched them bud,

For twenty years I have seen them die.

Yet now that the Spring once more has turned

The sea to silver, the earth to gold,

I shall watch no more from the primrose lane,

Where I waited and watched in the days of old.

Yet the children weave me their daisy chains,

The woodland music is sweet and clear,

Though the footsteps have wandered beyond recall,

That I watched and waited so long to hear!

Caris Brooke.

The swans along the water glide,

Unfettered and yet side by side—

So should true lovers ever be,

Together ever—ever free.

A chain upon the white swan’s neck,

What were it good for—save to break?

And swans who wear and break a chain

Swim never side by side again.

My best beloved, the Spring is fair,

The woods are green and life is good,

Come out with me and let us tread

By field and fold and sweet wet wood—

The wind-flower blanches all the copse,

With hyacinth the hedge is blue,

And every wakened leaf is fair,

But not so fair as you!

The black-birds sing on hazel boughs

Beneath the overarching trees,

The cuckoo’s distant song is borne

Across the meadow by the breeze,

The thrush’s song is sweetest far

But saddens as the hours go by.

You hear? The nightingale’s in love,

But not so much as I!

E. Nesbit.

Girdled with gold my little lady’s bower

Stands at the portals of a world in flower,

And down her ways the changing blossoms mark

How the Spring grows each day from dawn to dark.

When forth she moves, her dainty foot is set,

On cowslip, hyacinth and violet,

And all day long the woodland minstrels sing

Changes of measure for her pleasuring.

And all night long a passionate music stirs

Without her walls—the darkened belt of firs;

Hushed in their waving boughs the low winds brood,

Murmuring the sea’s song for an interlude.

Caris Brooke.

The last bright relic of the moon’s full gold

Burns on the swiftly flowing river’s breast;

No sound but restless dipping of strong oars

To break the charm of nature’s perfect rest.

Far off the town’s faint mingled clamours stir,

And through the silence of the nearer light

The incense of the evening mist floats up—

The day’s last lingering love-word to the night.

A sudden shiver of regretful change

Sighs through the whispering boughs that overhead

Sway in the wind’s breath: down the red sun dips,

And in the twilight’s arms the day lies dead.

Then rain, and after, moonshine cold and fair,

And scent of earth, sweet with the evening rain,

And slow soft speech beneath the rain-washed trees,

Ah, that such things should never come again!

Oh listening trees, where are the words we spoke?

Where are our sighs, wind whom those sighs caressed?

Oh! what a fate is ours, too swift, too sad,

If such an hour goes by with all the rest!

E. Nesbit.

What o’clock is it, children dear?

Ask of the dandelions here!

Blow, blow, blow, and away they go—

But they do not tell us the time you know!

Say, what month is it, children dear?

We think it is August because we hear

The swing of the sickle, restless and slow,

And that’s a sign of the month, you know.

Where are you going, children dear?

Where the lane winds deep and the stream runs clear—

There are plenty of beautiful ways to go—

But only one way that two only know.

Where are we going, children dear?

To a beautiful country that’s very near,

Hand in hand is the way to go

Up into fairyland you know.

E. Nesbit.

HOP PICKING.

Ah me, how pleasant to go down

From the forlorn and faded town

To Kentish wood and fold and lane,

And breathe God’s blessed air again;

Where glorious yellow corn-fields blaze

And nuts hang over woodland ways.

To pick the sweet keen-scented hops,

(See from each pole a dream-wreath drops)

To toil all day in pure clear air,

Laughter and sunshine everywhere—

With reddening woods and sweet wet soil

And well-earned rest and honest toil.

Where do we fly, under deep dark sky?

Over the moors we go,

Over the pool where quiet and cool

Bulrush and sedges grow—

And what was the loveliest thing we met?

Ah—we forget!

We remember though all the firelit glow

Of a great hearth’s gleam and glare,

And we looked for a space at each happy face

And the love that was written there.

And that, of all we have looked on yet—

We least forget!

Oh what a day! all yellow and gray,

And so dark, so dreary, so foggy and thick,

That if I should meet

In the street

My sweet—

I might pass her by!

Risk that? Not I!

Take me home out of danger then! Quick, feet, quick.

Not Summer’s crown of scent the red rose weaves

Nor hawthorn blossom over bloom-strewn grass,

Nor violet’s whisper when the children pass,

Nor lilac perfume in the soft May eves,

Nor new-mown hay, crisp scent of yellow sheaves,

Nor any scent that Spring-time can amass

And Summer squander, such a magic has

As scent of fresh wet earth and fallen leaves.

For sometimes lovers in November days,

When earth is grieving for the vanished sun,

Have trod dead leaves in chill and wintry ways,

And kissed and dreamed eternal Summer won;

Look back, look back! through memories’ deepening haze,

See—two who dreamed that dream, and you were one.

THE LOVER TO HIS LASS.

Dearest, the Winter is here!

“It will be sad,” so you said,

“When no green leaves overhead

Shadow the paths where we tread!”

I said “It still will be dear

If we still meet,

O my sweet!”

See how the seasons are kind!

See this December forget

How to be weary and wet!

Hardly our June I regret,

Winter so comely I find

Since you are here,

O my dear!

Sweetheart, I sometimes believe,

Love, not the sun, makes us glad;

Even the mists were not sad

If your soft hand-clasp I had.

Hearts sing, though skies mourn and grieve,

All weather’s fair

If you’re there!

Someday a home there shall be,

Love shall be sun of it, sweet!

Joy shall be full and complete—

Sound of small voices and feet;

While, like the sunshine, for me,

You light up life—

You—my wife!

BEFORE PARTING.

surely is the hour come for farewell,

Now, with the lessened light and darkened days.

Who now would tread the wild hill’s pathless ways?

We found so fair when Spring and Summer’s spell

Made blind our hearts this parting to foretell.

Yet why, while wan and wintry sunlight stays

On perished gold of Autumn fields, delays

Your heart to speak, while both our hearts rebel?

Together we have gathered through the year

All that the year could give us of its best,

Is it not meet our parting should be here,

Now in the season drear of death and rest?

Yet since together we its joys have known

How shall each meet the strange New Year alone.

Caris Brooke.

Page Display:

The original book was wider than it was tall; the cover picture shows the proportions. Some compromises had to be made in laying out this html version. The decoration accompanying “Hop Picking” was rotated clockwise, and a few text passages were separated from their accompanying picture.

The beginning of each poem should look something like this:

If it looks more like this

your browser’s font preferences may not have been set appropriately. If possible, change the settings for “cursive” and “fantasy” to fonts of your choice. These settings will also help other web pages display as intended.

Split Images:

Images surrounding poetry were usually divided into segments for wrapping. Links lead to undivided versions of each image:

Resurgam (beginning)

Resurgam (end)

“Dream footsteps...”

“Never a hand...”

“The swans glide...”

Hop Picking

“Where do we fly...”

The Lover to His Lass

Before Parting

Title Page:

ALL ROUND
THE YEAR

By
E. NESBIT
and
CARIS BROOKE.
Drawings by
H. BELLINGHAM SMITH
and others.

LONDON: von PORTHEIM & Co.
Paternoster Row E.C.
Printed in Germany

*** END OF THE PROJECT GUTENBERG EBOOK ALL ROUND THE YEAR ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

Table of Contents

- RESURGAM.

- MARCH VIOLETS.

- HOP PICKING.

- THE LOVER TO HIS LASS.

- BEFORE PARTING.

- Page Display:

- Split Images:

- Title Page:

- ALL ROUND THE YEAR

- THE FULL PROJECT GUTENBERG™ LICENSE